The Fredoniad; or Independence Preserved by Richard Emmons

The full title of this epic poem is The Fredoniad; or, Independence Preserved. An Epic Poem on The Late War of 1812.

This is a poem in 40 cantos covering the entire War of 1812. This page contains the table of contents of each of the 4 volumes, and links to the full text of this poem found on the Hathi Trust.

fredoniad
The Fredoniad vol 1 Table of Contents. Click on the image to see larger

 

Click to view the full text of volume 1 

 

 

 

 

 

 

 

 

 

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The Fredoniad vol 2 Table of Contents (p. 1).
Click on the image to see larger
fredoniad
The Fredoniad vol 2 Table of Contents (p. 2). Click on the image to see larger

 

Click to view the full text of volume 2

 

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The Fredoniad vol 3 Table of Contents (p. 1). Click on the image to see larger
fredoniad
The Fredoniad vol 4 Table of Contents (p. 2). Click on the image to see larger

 

Click to see the full text of volume 3

 

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The Fredoniad vol 4 Table of Contents (p. 1). Click on the image to see larger
fredoniad
The Fredoniad vol 4 Table of Contents (p. 2). Click on the image to see larger

 

Click to see the full text of volume 4


Source: Emmons, Richard.  The Fredoniad; or, Independence Preserved. An Epic Poem on The Late War of 1812.  2nd ed. Philadelphia:  W. Emmons, 1832

A discussion of this poem can be found in Severance, Frank H.  Old Trails on the Niagara Frontier.  Buffalo:  The Matthews-Northrup Co.,  1899 (Chapter entitled Niagara and the Poets)
Available digitally by clicking here

 

Untitled by Anonymous

table
The title page of the Table Rock Album

I came to see ;
I thought to write ;
I am but ——— dumb.


Source: Holley, George W., ed.  The Falls of Niagara.  Baltimore: A.C. Armstrong & Son, 1883

Originally from The Table Rock Albums. Click to see the Table of Contents on this site.

 

Lines in a Young Lady’s Album by Peter A. Porter

peter
Col. Peter Augustus Porter (1827-1864)
Image courtesy of Wikipedia Commons

 

An artist, underneath his sign, (a masterpiece, of course),
Had written, to prevent mistakes, ‘This represents a horse’;
So ere I send my Album Sketch, lest connoisseurs should err,
I think it well my Pen should be my Art’s interpreter.

A chieftain of the Iroquois, clad in a bison’s skin,
Had led two travelers through the wood, La Salle and Hennepin.
He points, and there they, standing, gaze upon the ceaseless flow
Of waters falling as they fell two hundred years ago.

Those three are gone, and little heed our worldly gain or loss—
The Chief, the Soldier of the Sword, the Soldier of the Cross.
One died in battle, one in bed, and one by secret foe;
But the waters fall as once they fell two hundred years ago.

Ah, me! what myriads of men, since then, have come and gone;
What states have risen and decayed, what prizes lost and won;
What varied tricks the juggler, Time, has played with all below:
But the waters fall as once they fell two hundred years ago.

What troops of tourists have encamped upon the river’s brink;
What poets shed from countless quills, Niagaras of ink;
What artist armies tried to fix the evanescent bow
Of the waters falling as they fell two hundred years ago.

And stately inns feed scores of guests from well replenished larder,
And hackmen drive their horses hard, but drive a bargain harder;
And screaming locomotives rush in anguish to and fro:
But the waters fall as once they fell two hundred years ago.

And brides of every age and clime frequent the island’s bower,
And gaze from off the stone-built perch—hence called the Bridal Tower—
And many a lunar belle goes forth to meet a lunar beau,
By the waters falling as they fell two hundred years ago.

And bridges bind thy breast, O, stream! and buzzing mill-wheels turn,
To show, like Samson, thou art forced thy daily bread to earn;
And steamers splash thy milk-white waves, exulting as they go,
But the waters fall as once they fell two hundred years ago.

Thy banks no longer are the same that early travelers found them,
But break and crumble now and then like other banks around them;
And on their verge our life sweeps on—alternate joy and woe:
But the waters fall as once they fell two hundred years ago.

Thus phantoms of a by-gone age have melted like the spray,
And in our turn we too shall pass, the phantoms of to-day:
But the armies of the coming time shall watch the ceaseless flow
Of waters falling as they fell two hundred years ago.


Source:  Johnson, Richard L. (ed).  Niagara: Its History, Incidents and Poetry. Washington, Walter Neale General Book Publisher, 1898

Also published in Holley, G. W., ed. Niagara: Its History and Geology, Incidents and Poetry. Toronto,  Hunter, Rose and Company, 1872

Also Published in Holley, George W., ed.  The Falls of Niagara and Other Famous Cataracts.  Baltimore: A.C. Armstrong & Son, 1883

Holley says of this poem: “The most graceful verses on Niagara ever written by a resident are the following by the late Colonel Porter, who was an artist both with the pencil and the pen. They were written for a young relative in playful explanation of a sketch he had drawn at the top of a page in her album, representing the Falls in the distance, and an Indian chief and two Europeans in the foreground.”

Read The Poetry of Peter A. Porter by Michelle Ann Kratts

Read about Colonel Peter A. Porter 

Poem by A. S. Ridgely

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American and Horseshoe Falls
From Niagara, Its History, Incidents and Poetry by Richard L. Johnson

“Man lays his scepter on the ocean waste,
His footprints stiffen in the Alpine snows,
But only God moves visibly in Thee,
O King of Floods! that with resistless fate
Down plungest in thy mighty width and depth.
*    *    *   *   *  Amazement, terror, fill,
Impress and overcome the gazer’s soul.

 
Man’s schemes and dreams and petty littleness
Lie open and revealed.     Himself far less—
Kneeling before thy great confessional—
Than are the bubbles of the passing tides.
Words may not picture thee, nor pencil paint
Thy might of waters, volumed vast and deep;
Thy many-toned and all-pervading voice;
 
Thy wood-crown’d Isle, fast anchor’d on the brink
Of the dread precipice; thy double stream,
Divided, yet in beauty unimpaired;
Thy wat’ry caverns and thy crystal walls;
Thy crest of sunlight and thy depths of shade,
Boiling and seething like a Phlegethon
Amid the wind-swept and convolving spray,
Steady as Faith and beautiful as Hope.
There, of beam and cloud the fair creation,
 
The rainbow arches its ethereal hues.
From flint and granite in compacture strong;
Not with steel thrice harden’d—but with the wave
Soft and translucent—did the new-born Time
Chisel thy altars.     Here hast thou ever poured
Earth’s grand libation to Eternity,
Thy misty incense rising unto God—
The God that was and is and is to be.”

Source:  Johnson, Richard L. (ed).  Niagara: Its History, Incidents and Poetry. Washington, Walter Neale General Book Publisher, 1898
 
Also published in Holley, G. W., ed. Niagara: Its History and Geology, Incidents and Poetry. Toronto,  Hunter, Rose and Company, 1872
 
Also published in Holley, George W., ed.  The Falls of Niagara.  Baltimore: A.C. Armstrong & Son, 1883  (N.B. Holley mentions this poem by Ridgely is an excerpt from a larger work.)
 
Also published in Dow, Charles Mason. Anthology and Bibliography of Niagara Falls. Albany: State of New York, 1921.
 
 
 
 

 

Creation’s Pride by Wilhelm Meister

meister
The Rapids Above the Horseshoe Falls
From the book Niagara, Its History, Incidents and Poetry

Niagara’s canon, swept by waters grand!
No gorge like thine, nor depths, the mighty hand
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡Of time hath wrought.

Thy cataract stupendous is, and fierce;
No human voice or sound can ever pierce
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡Its deaf’ning roar.

Thy seething currents rend with awful might
Great rocks, that nature in chaotic night
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡Did rear on high.

A whirlpool deep within thy walls doth hiss,
And, raging ’round, sinks down in dark abyss
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡To unknown depths.

Around Ontario’s blue and wide domain,
No mountains check, nor lofty barriers chain.
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡Thine outlet vast.

In the great ocean’s infinite expanse
Thy volumes rest, and with their powers, enhance
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡The vasty deep.


Source: R. Lespinasse. Notes on Niagara, 2nd ed.  Chicago: R. Lespinasse, Publisher, 1884

Also published in Johnson, Richard L. (ed).  Niagara: Its History, Incidents and Poetry. Washington: Walter Neale General Book Publisher, 1898


The author’s name, Wilhelm Meister, is probably a pseudonym, as Meister is the protagonist of two of Johann Wolfgang von Goethe’s novels.