Dear Jeanie, while the deaf’ning roar
Of Niagara shakes the shore,
And in a misty mantle hoar,
Shrouds rock and tree,
My thoughts fly homeward evermore
To worship thee.
ʼTis true, this is the place and time
To feel and foster the sublime ;
Where men of ev’ry hue and clime,
Meet to adore,
And the rapt spirit’s glowing hymn,
May heavenward soar.
Yet still thy form, my peerless Jean,
Is ever present to my e’en,
Lighting with smiles each sylvan scene
By bower and hall,
Log-hut and hamlet, woodland green
And waterfall.
And when alone I wond’ring stand
Amid these revelations grand,
Which the Almighty builder’s hand
On high did rear,
I whisper, while my thoughts expand,
“ Would she were here ! ”
Would she were here to share my bliss,
Beholding grandeur such as this,
Where loud the tortur’d waters hiss,
And bright on high
The rainbow in its loveliness
Bedecks the sky.
Since first the stars together sung,
And earth was fair, and Time was young,
And Eden’s bowers responsive rung
Man’s song of praise,
That bow of beauty there hath hung
Its prism rays.
So o’er the scenes of storm and strife
That cloud the weary dream of life,
With pleasures scant, with sorrows rife,
A bow shall be
Thy love, my own leal-hearted wife,
For aye to me.
Away, ye hours, on falcon wing,
And back the wand’ring Willie bring,
Who scarcely now can think or sing,
Of aught but hame,
And her the queen of all the ring,
Dear Jeanie Graham.
Source: William Wilson, edited by Benson J. Lossing . Poems. 2nd ed. Poughkeepsie, NY : Archibald Wilson, 1875.
This poem is not found in the 1st edition published 1869, but is also found in the 3rd edition of 1881
I was driving, you took over the stereo. That Lucinda song
I’d never heard. Lodestar too. We ate bad pizza.
You beat me at Skee-ball. We must have looked at the falls—
I remember how nervous you were at the blackjack table.
How I learned you are afraid of heights, handsome
in any T-shirt. How I dared you to charm the girl
at the prize counter, just so I could watch you—
I held your hand, wanted to take your arm.
It’s almost impossible to imagine you then,
in that tacky motel,
not yet my partner, no longer my friend, so newly
my lover. The roar of the water— even when you don’t hear it,
it pours and pours, erasing the rock underneath.
Nolan Natasha and the cover of their book I Can Hear You, Can You Hear Me?
Niagara Falls by Nolan Natasha was published in their book I Can Hear You, Can You Hear Me (Invisible Publishing, 2019) and the performed version is the second episode of I Can Hear You, Can You Hear Me? YouTube channel. On this channel Nolan creates videos inspired by poems and short narratives.
I am a queer and trans writer, performer, and filmmaker.
Of Faroese and English ancestry, I am a settler living on unceded Mi’Kmaw territory in Kjipuktuk/Halifax, Canada. I have been a finalist for the CBC poetry prize, the Ralph Gustafson Poetry prize, the Geist postcard contest, and was the runner-up for the Thomas Morton fiction prize. My debut poetry collection, I Can Hear You, Can You Hear Me? was released in the fall of 2019 with Invisible Publishing. I am currently working on a collection of short stories and a series of video poems.
On the hill beside the river
Stands a building dear to me,
By its threshold one bright morning
There I first saw Harriet C.
Then that house was new and cheerful,
Now its walls are sad to see.
Years have passed and it’s decaying—
Where is charming Harriet C.?
When we watched the mighty cataract
She would closer cling to me,
And our hearts nigh ceased their throbbing—
Then I loved sweet Harriet C.
Time passed on and we were parted,
It softened much our childish glee
And I’ve never, never since then
Seen my lovely Harriet C.
But I’m standing by the schoolhouse
Where her form I first did see,
And my heart is sadly asking—
Where is gentle Harriet C.?
Source: Zavitz, Sherman. Niagara Falls: Historical Notes. St. Catharines, Looking Back Press, 2008. First published in the Niagara Falls Review as part of the Historical Notes series.
The historical note about the school is reproduced below with the permission of Sherman Zavitz.
The View Down Clifton Hill, Niagara Falls, March 28, 2003. Photo by Janice Leak Note sign for the Comfort Inn, partially visible on the right. This was the site of the original Clifton Schoolhouse more than a century earlier. Image courtesy of Niagara Falls Public Library
The Schoolhouse on Clifton Hill: Who Was Harriet C?
A school on Clifton Hill? While such a building would certainly seem out of place there now, in fact a one-room schoolhouse once stood on this thoroughfare, long before it became the now famous Street of Fun.
A roughcast structure, it was built around 1835 and was located on the south side of the street where the Comfort Inn Fallsway is now located. In 1848, after all the property on the south side of the hill was purchased by local entrepreneur Samuel Zimmerman, the building was moved to the other side of the street.
The school served the area along the Niagara River from Dufferin Islands (as they are now called) to the Whirlpool. This included the little community of Clifton, which at that time was centered around the Clifton Hill, Victoria Avenue area. Clifton was established in 1832 by Capt. Ogden Creighton, a British half-pay officer.
The following year, a hotel was built at the foot of Clifton Hill where Oakes Garden Theatre presently stands. As happened with the hill, the hotel took its name from the community in which it was located. The Clifton House became Niagara’s most renowned 19th century hotel.
Some of the teachers at this early school included William Pointer, Miss Tobias and a Mr. Williams. Around 1849, the teacher was Mr. McMullen, who also had a side job. The owner of a hansom carriage, every time an excursion party arrived at the nearby Falls, he would rush out of the school and become a tour guide, leaving his niece to take over his teaching duties.
The last teacher at this school was Marsena Biggar, who was there from 1851 to 1853. During the fall of 1851, Marsena might very well have taken his pupils down the road to the Clifton House to hear the famous singer Jenny Lind. Known as the Swedish Nightingale, she was a guest at the hotel for a number of weeks that autumn and would occasionally present a concert from its balcony.
The little schoolhouse on Clifton Hill closed at the end of 1853. The school section had been divided into two and new stone schoolhouses had been built. One of these was just to the north along Victoria Avenue, near Bender Hill. Open for only three years, it was replaced in 1857 by Simcoe Street School. The other was on Buchanan Avenue (now Fallsview Boulevard) where the Hilton Hotel now stands. It was used until the opening of Falls View School in 1910.
In February of 1857, an interesting letter appeared in a Buffalo newspaper. It was from an anonymous gentleman (he signed his name “Traveller”) in Lockport, New York, who told how several years earlier he had paid a visit to the old Clifton Hill schoolhouse. He had been a pupil there in its early years and wandering around the closed building naturally brought back many memories, including those of an infatuation he had had with another pupil he identifies only as Harriet C.
Moved by the nostalgic experience and lamenting his lost love, he wrote a poem, which was published along with the letter.
Entitled “Lines to Harriet,” [above] are a few of the verses.
Just who was Harriet C.? While we can’t be absolutely certain, it was likely Harriet Crysler, who was born here in 1831. The Crysler family home stood where the Victoria Avenue Library is now. Harriet died in 1903.
James Penha and His Husband, Ferdy, Shortly After Their Wedding Ceremony, on the Maid of the Mist Boat in Front of the American Falls Image courtesy of James Penha
My memories begin with the cascade
of tears at Niagara Falls as I screamed
NO when my father led us to board
the boat he said would be sailing
“under the Falls.” Under the Falls,
he said. Distinctly Under the Falls.
Not near, not close to, but under.
What three-year-old would not weep
uncontrollably, unstoppingly, until
assured there would be no boat ride
that day or the next. Seventy years
later, right after marrying his husband
at Niagara Falls City Hall, the old boy
kissed his mate on The Maid of the Mist
as it carried them crying and laughing
quite safely not quite under the Falls.
Source: The author, 2022
Expat New Yorker James Penha (he/him) has lived for the past three decades in Indonesia. Nominated for Pushcart Prizes in fiction and poetry, his work is widely published in journals and anthologies. His newest chapbook of poems, American Daguerreotypes, is available for Kindle. His essays have appeared in The New York Daily News and The New York Times. Penha edits The New Verse News, an online journal of current-events poetry. Bluesky: @jamespenha.bsky.social
Clifton Hill, 1977 Photo by Ron Mottola Ripley’s Museum on the left Image courtesy of Niagara Falls Public Library
Niagara Falls is a long poem of 700 lines where three stories, growing up Catholic in the industrial North, a honeymoon to Niagara Falls and a pilgrimage to Assissi, Italy, are interwoven in a master work of fractured narration. The language is relaxed and upbeat where metaphysical concerns meet, head on.
Excerpt from Niagara Falls (p. 8-9):
25 years ago, here,
on a rainy camping trip
my father splurged on
Ripley’s Believe It
Or Not Museum where I stared
at the shrunken head.
I bought a postcard: The Hair continues to grow. I still have it: long beaded threads
hang from the nose like a rosary.
Source: Jim Daniels. Niagara Falls. Easthampton, MA: Adastra Press, 1994