Laura Secord by Agnes Maule Machar

During the so-called war of 1812-14 between England and the United States, Laura Secord, the wife of a crippled British veteran, saved the British forces from surprise and possible destruction by the heroic action narrated in the ballad. Her home lay near the celebrated Queenston Heights, a few miles from the Falls of Niagara.

machar
Laura Secord  Monument
 Drummond Hill Cemetery, Niagara Falls.
Image courtesy of Niagara Falls Public Library

Softly the spell of moonlight fell
‡‡On the swift river’s flow,
On the gray crags of Queenston Heights,
‡‡And the green waves below.

Alone the whip-poor-will’s sad cry
‡‡Blent with the murmuring pines,
Save where the sentry paced his rounds
‡‡Along th’ invading lines.

But in one lowly cottage home
‡‡Were trouble and dismay ;
Two anxious watchers could not sleep
‡‡For tidings heard that day ;

Brave James Secord, with troubled heart,
‡‡And weary crippled frame,
That bore the scars of Queenston Heights,
‡‡Back to his cottage came ;

For he had learned a dark design
‡‡Fitzgibbon to surprise,
As with a handful of brave men
‡‡At Beaver Dam he lies.

‘And Boerstler, with eight hundred men,
‡‡Is moving from the shore
To steal upon our outpost there,
‡‡Guarded by scarce two score !

‘Then, wiping out, as well he may,
‡‡That gallant little band,
The foe will sweep his onward way
‡‡O’er the defenceless land.

‘Then noble Brock had died in vain—
‡‡If but Fitzgibbon knew !’—
And the poor cripple’s heart is fain
‡‡To press the journey through.

But Laura, bending o’er her babes,
‡‡Said, smiling through her tears :
‘These are not times for brave men’s wives
‡‡To yield to craven fears.

You cannot go to warn our men,
‡‡Or slip the outposts through ;
But if perchance they let me pass,
‡‡This errand I will do.’

She soothed his anxious doubts and fears :
‡‡She knew the forest way ;
She put her trust in Him who hears
‡‡His children when they pray !

Soon as the rosy flush of dawn
‡‡Glowed through the purple air,
She rose to household tasks—and kissed
‡‡Her babes with whispered prayer.

To milk her grazing cow she went ;
‡‡The sentry at the lines
Forgot to watch, as both were lost
‡‡Amid the sheltering pines.

The rising sun’s first golden rays
‡‡Gleamed through the forest dim,
And through its leafy arches rang
‡‡The birds’ sweet morning hymn.

The fragrant odour of the pines,
‡‡The carols gay and sweet,
Gave courage to the fluttering heart,
‡‡And strength to faltering feet.

And on she pressed, with steadfast tread,
‡‡Her solitary way,
O’er tangled brake and sodden swamp
‡‡Through all the sultry day.

Though, for the morning songs of birds
‡‡She heard the wolf’s hoarse cry,
And saw the rattlesnake glide forth,
‡‡As swift she hurried by.

Nor dark morass nor rushing stream
‡‡Could balk the steadfast will,
Nor pleading voice of anxious friends
‡‡Where stood St. David’s Mill.

The British sentry heard her tale,
‡‡And cheered her on her way ;
But bade her ‘ware the Indian scouts
‡‡Who in the covert lay.

Anon, as cracked a rotten bough
‡‡Beneath her wary feet,
She heard their war-whoop through the gloom,
‡‡Their steps advancing fleet ;

But quickly to the questioning chief
‡‡She told her errand grave
How she had walked the livelong day
‡‡Fitzgibbon’s men to save !

The redskin heard, and kindly gazed
‡‡Upon the pale-faced squaw ;
Her faithful courage touched his heart,
‡‡Her weary look he saw.

‘Me go with you’ was all he said,
‡‡And through the forest gray
He led her safe to Beaver Dam,
‡‡Where brave Fitzgibbon lay.

With throbbing heart she told her tale ;
‡‡They heard with anxious heed,
Who knew how grave the crisis was.
‡‡How urgent was the need !

Then there was riding far and near,
‡‡And mustering to and fro
Of troops and Indians from the rear
‡‡To meet the coming foe ;

And such the bold, determined stand
‡‡Those few brave soldiers made—
So fiercely fought the Indian band
‡‡From forest ambuscade,—

That Boerstler in the first surprise
‡‡Surrendered in despair,
To force so small it scarce could serve
‡‡To keep the prisoners there !

While the brave weary messenger
‡‡In dreamless slumber lay,
And woke to find her gallant friends
‡‡Were masters of the fray.

∗                   ∗               ∗             ∗             ∗

If e’er Canadian courage fail,
‡‡Or loyalty grow cold,
Or nerveless grow Canadian hearts,
‡‡Then be the story told—

How British gallantry and skill
‡‡There played their noblest part,
Yet scarce had won if there had failed
‡‡One woman’s dauntless heart !


Source:  Agnes Maule Machar.  Lays of the ‘True North’ and Other Canadian Poems.  2nd enlarged ed. London: E. Stock, 1902

Click here to see an earlier version of this poem, published in 1880, under the title Mary Secord and using Machar’s pen name ‘Fidelis’

Read about the life of Machar

Read about the Battle of Beaverdams

Read more poems about the War of 1812

 

I Too Have Seen Thy Ever-Pouring Flood by James Gates Percival

percival
Engraving of James Gates Percival From a Painting by G.W. Flagg


I too
have seen thy ever-pouring flood,
Mightiest of cataracts, Niagara!
Have seen thy restless waters rush away,
And on thy beetling rock alone have stood,
And seen the morning sunbeams paint thy spray,
And countless rainbows on thy light mist play;
And I have walked along thy field of blood,
Whereon the free invaders stood at bay,
And, mantled in the shadow of the night,
Infuriate warriors wrestled in the fight,
The pale moon weeping o’er the mortal fray;
And I have gazed, from Queenston’s hallowed height,
On river, lake, and plain, in sunset bright,
Gilt streams, dark woods, blue waves in sweet array:
And hither, as the years shall roll away,
The pilgrim of our land shall fondly hie,
And here the tribute of his heart shall pay,
And kneel before the shrine of God and liberty.


Source:  James Gates Percival.  The Poetical Works of James Gates Percival. Boston:  Ticknor and Fields, 1859.

About James Gates Percival

The Death of Brock by Erieus

monument
The original Brock Monument Overlooking the Village of Queenston by J.C. Armytage. Image courtesy of Niagara Falls Public Library

Lines composed on seeing the Proposals of the Commissioners for
erecting a Monument to the memory of the late MAJOR
GENERAL SIR ISAAC BROCK. — In imitation of the death of
WOLFE.


CROWN’D with sad cypress Britannia sat mournful,
Where Queenston’s bold heights overlook the broad plain;
Her Garments were wet with the tears of Aurora,
And she mus’d on the deeds of her BROCK that was slain.
Her soul was absorb’d in profound contemplation;
‘Neath her feet roll’d the surge of its turbid career;
Now she gazed on the skies — now the dark deep before her,
While Niagara’s thunders broke full on her ear.
“My BROCK!” she exclaimed — “did death here arrest thee!
Did thy gallant spirit here burst from its clay!
Ah! why was so short the bright path of thy glory!
Why cut down so soon in the noon of thy day?”
‘Twas morn, — and sublime o’er the guiph of Niagara,
On the dark folding cloud rising dense to the sky,
Sat the GENIUS of CANADA — round far below him,
Majestic he shot the quick glance of his eye.
He saw the disconsolate Queen of the Ocean
Reclin’d on the ground — in an instant was there
Before her the vision cloud built, and suspended,
It hung o’er the channel’s rocks in mid the air.
She gazed with wonder—the genius refulgent
In glory, descended and stood at her feet: —
Ah! why, he exclaim’d dost thou sorrow, fair Empress,
And pour the sad sigh on the midnight retreat?
Thy BROCK is not dead,— for still fresh in his glory;
Unscathed remained the bright wreath of his fame;
And long shall posterity tell the proud story,
And kindle anew at the sound of his name.
When called to the council of state, by his wisdom
He banish’d discordance, uniting all hands
And all hearts into one, all their energies guiding
As one, to one object, his Sovereign’s commands
The glory of Britain — the good of his country
United, stood firm in the views of his mind,
In battle a thunderbolt, — mild to the vanquish’d,
In council a sage, — and a friend to mankind.
His labors were ended, and ripe was his glory: —
The FATHER of all call’d him home to his rest;
Now a crown, never fading, encircles his temples,
And peace, gentle peace, reigns serene in his breast.
‘Tis mine here below his fair fame to watch over;
His memory to guard from oblivion’s dun shade;
And here on this ground will I raise his proud trophy,
Where he fell — where his last gallant act was display’d.
E’en now are my faithful Canadians preparing
The pile of affection to rear to his name.
The marble shall tell of his deeds to the stranger.
And ages unborn shall recount all his fame.

ERIEUS
Port Talbot, Dec. 23, 1823


Adam Hood Burwell published poems under the pen name Erieus

Source: Burwell, Adam Hood.  “New” Poems of Adam Hood Burwell. Edited and Introduced by Mary Lu MacDonald.
canadianpoetry.org/ 2020

Battle of Niagara: a Poem Without Notes by John Neal

neal
John Neal by Sarah Miriam Peale, c. 1823, Portland Museum of Art – Portland, Maine

The full title of this book is Battle of Niagara: A Poem, Without Notes : and Goldau, Or, The Maniac Harper. It was originally published under the pseudonym Jehu O’Cataract in 1818.

Click to see the full-text of the book at Google Books.


From Charles Dow*:

John Neal was of Quaker descent but was read out of the society. He was a pioneer in American literature, being the first American contributor to English and Scotch quarterlies. He was an artist, a lawyer, traveler, journalist, athlete and an advocate of woman suffrage in 1838.

“The Battle of Niagara” was written when the author was a prisoner, or so he informs the reader. It has a metrical introduction with four cantos which tell the story of the Battle of Niagara. This story is interspersed with various flights of poetic fancy on the scenery and surroundings of the Falls.

N.B. The Battle of Niagara is now formally known as the Battle of Lundy’s Lane. Other names have included the Battle of Niagara Falls and the Battle of Bridgewater.

*Dow, Charles Mason. Anthology and Bibliography of Niagara Falls. Albany: State of New York, 1921, p. 699


From Frank H. Severance:**

As I survey the literature of this- period I find no bolder utterance, no fiercer defiance of Great Britain’s “Hordes,” than in the sonorous stanzas of some of our gentle poets. Iambic defiance, unless kindled by a grand genius, is a poor sort of fireworks, even when it undertakes to combine patriotism and appreciation of natural scenery. Certainly something might be expected of a poet who sandwiches Niagara Falls in between bloody battles and gives us the magnificent in nature, the gallant in warfare and the loftiest patriotism in purpose, the three strains woven in a triple paean of passion, 94 duodecimo pages in length. Such a work was offered to the world at Baltimore in 1818, with this title-page: “Battle of Niagara, a Poem without Notes, and Goldau, or the Maniac Harper. Eagles and Stars and Rainbows. By Jehu O’Cataract, author of ‘Keep Cool.’ ” I have never seen “Keep Cool,” but it must be very different from the “Battle of Niagara,” or it belies its name. The fiery Jehu O’Cataract was John Neal, or “Yankee Neal,” as he was called.

The “Battle of Niagara,” he informs the reader, was written when he was a prisoner; when he “felt the victories of his countrymen.” The poem has a metrical introduction and four cantos, in which is told, none too lucidly, the story of the battle of Niagara, with such flights of eagles, scintillation of stars and breaking of rainbows, that no quotation can do it justice. In style it is now Miltonic, now reminiscent of Walter Scott. The opening canto is mainly an apostrophe to the Bird, and a vision of glittering horsemen. Canto two is a dissertation on Lake Ontario, with word-pictures of the primitive Indian. The rest of the poem is devoted to the battle near the great cataract—and throughout all are sprinkled the eagles, stars and rainbows. Do not infer from this that the production is wholly bad; it is merely a good specimen of that early American poetry which was just bad enough to escape being good.

** Severance, Frank H. Notes on the Literature of the War of 1812. Paper Read at the annual meeting of the Ontario Historical Society, 1912.


Source:  John Neal. Battle of Niagara: A Poem, Without Notes : and Goldau, Or, The Maniac Harper. Baltimore:  N.G. Maxwell. From the Portico Press, Geo. W. Grater, printer, 1818

Read about the Battle of Lundy’s Lane

Monuments by Stan Skrzeszewski

monuments
Pro Patria Mori Cairn Marker, Fort Erie. Photo by Dale K. Benington. 153 soldiers are buried here, including members of the De Watteville Regiment

My Father told me
To follow Napoleon
It will lead to fame,
Fortune and freedom
Just not for my country

So we fought in Italy, Russia
Spain and San Domingo
And in Canada and America
At Chateauguay and Oswego
Plattsburgh and Fort Erie

As corpses,
Many of us floated down the Niagara River
Or were laid to rest in a mass grave
Under the “Pro Patria” column
But not my “patria,” not my glory

Last summer,
That monument was sad
On that grey day, twigs and leaves underfoot
And a smiling Tim Horton’s coffee cup
On granite that no longer shone in the sun

In Victoria Memorial Square in Toronto
There stands a not quite-complete old soldier
Representing those glorious 1812 regiments
And as an almost-forgotten after thought
“And the Wattsville Regiment [misspelt], Coloured Corps & Indians”

Everyone who played a part is dead and forgotten
A few footnotes in unread histories
No welcoming parades greeted the Poles of 1812
This we have in common with the Poles of 1945
That and the ongoing struggle for recognition

On what ships did we sail?
What paths did we go down?
Did we build homes and churches?
What became of us?
No one knows

All that remains of us
A plaque in Perth, an island in the St. Lawrence
And a Manitoba-shaped plaque
In Bird’s Hill Park,
Near Selkirk, which even the park staff couldn’t find

Yet our monument, our immortality
Has been finally granted in these few staged words
Out of a fading sense of patriotic duty,
Of remembrance,
Respect for our ever-present honourable ghosts

That and the recorded toasts after Oswego
“What harmony, What coolness, What confidence” they said
And at Fort Erie a young De Watteville re-enactor
Who bravely defended our honour
Two hundred years after the fact
When challenged said with feeling:

            “We charged Snake Hill five times!”

Source: Stan Skrzeszewski. Creative Memories: In Honour of the Polish Soldiers Who Died at the Battle of Fort Erie. London, Ont. : Stan Skrzeszewski, 2015

See other poems from Creative Memories

Stan Skrzeszewski is a writer of poetry, short stories, plays and even one libretto. He also serves as a curator at the Orlinski Museum and Archives of the Polish Armed Forces. In another life, Stan was a librarian, management consultant and a facilitator of philosopher’s cafes. The son of a Polish Veteran and Scottish War Bride, he feels a passionate need to record history.