Clarke Hill Islands – The Rapids and the Lovers Bridge. Photo by George Barker. Courtesy of Niagara Falls Public Library
If Lovers‘ Leaps were now the fashion, ‡‡‡‡As they were in days of yore,
O what a place to drown the passion ‡‡‡‡In Niagara‘s foaming roar.
Source: Table Rock Album and Sketches of the Falls and Scenery Adjacent. Buffalo: Steam Press of Thomas and Lathrops, copyright by Jewett, Thomas & Co.,1856c.1848
This link takes you to the scanned version of the 1855 version of Table Rock Album from the Hathi Trust
Paul Muldoon was born in 1951 in County Armagh, Northern Ireland, and educated in Armagh and at the Queen’s University of Belfast. From 1973 to 1986 he worked in Belfast as a radio and television producer for the British Broadcasting Corporation. Since 1987 he has lived in the United States, where he is now Howard G. B. Clark ’21 Professor in the Humanities at Princeton University. In 1999 he was elected Professor of Poetry at the University of Oxford. Paul Muldoon’s main collections of poetry are New Weather (1973), Mules (1977), Why Brownlee Left (1980), Quoof (1983), Meeting The British (1987), Madoc: A Mystery (1990), The Annals of Chile (1994), Hay (1998), Poems 1968-1998 (2001) and Moy Sand and Gravel (2002), for which he won the 2003 Pulitzer Prize.
A Fellow of the Royal Society of Literature and the American Academy of Arts and Sciences, Paul Muldoon was given an American Academy of Arts and Letters award in literature for 1996. Other recent awards are the 1994 T. S. Eliot Prize, the 1997 Irish Times Poetry Prize, the 2003 Griffin International Prize for Excellence in Poetry, and the 2004 Shakespeare Prize. He has been described by The Times Literary Supplement as “the most significant English-language poet born since the second World War.”
Battle of Lundy’s Lane Centennial – Main & Lundy’s Lane (Ferry St.), July 25, 1914. Photo Courtesy of Niagara Falls Public Library
moberly
In Lundy‘s Lane the robins sing, ‡‡And blackbirds pipe their merry lay,
The sparrow flits on restless wing, ‡‡The air is sweet with new mown hay.
O‘er the grassy mound by the old church wall ‡‡The summer breezes gently stray,
They stir the leaves of the maples tall, ‡‡And mingle with the sunbeams‘ play.
‘Tis a scene of peace and beauty fair, ‡‡That greets the happy passer-by,
As he breathes the balmy summer air, ‡‡And gladly looks on earth and sky.
But o‘er this fair and peaceful scene ‡‡One hundred years have come and gone,
And where the grass grows rich and green ‡‡The dead lay thick with faces wan.
Up from the mighty river‘s gorge ‡‡In serried ranks the foeman came,
The air grew murky as a forge, ‡‡With cannon smoke and musket flame.
Outnumbered nearly two to one, ‡‡The gallant Drummond stood at bay,
Undaunted he — and with him none — ‡‡Unworthy of that glorious day.
For loyal sons of loyal sires, ‡‡They fought for home and motherland;
No purer love the heart inspires ‡‡Than glow‘d within that patriot band.
Now hast‘ning up the river bank, ‡‡Cheered on by Scott at Brown‘s command,
The foemen form, and rank on rank, ‡‡A threatening army they expand.
The word is given — then, on they rush, ‡‡‘Mid cannon roar and musket flame,
Like avalanche‘s fearful crush, ‡‡Ah! What can balk their deadly aim?