Outpost by Arvida Svenske

svenske
Fort Mississauga, Niagara-on-the-Lake, 1890s.
Image courtesy of the Library of Congress

I propose a toast for Missisauga beach
where the lake’s waves make clarion calls! – retreats…
in a rhythm ancient, as the waves and sand
way older than fights o’er the Plains of Abraham
what these waters perform, it is no small feat
but unlike torturous forces have no walls to breach
what can be called victory, what called defeat?

I raise a glass of beverage for Ryerson park
strands of softness and a silent spark
of the world fire cosmos must have set aflame
some sort of constraint for the settling lake
who’s hunger for land-mass liked a tired shark
stopped reaching for its prey, halting its iron heart
To Know Where The Fire Ends And Starts – The Art™

And this one goes out to the troops of Missisauga fort
not for the causes, pawns, the blood, the war, the sport
but for the brothers, fathers, husbands that would be in there
during the Sixty Years, rebellions and the Fenian scare
Fiat lux! and a lighthouse stands tall on the shore
bricks and hands adjust it: now it’s war its for
somewhere in there: a lesson for us all

I direct my speech directly at the womanhood and guards of pride
and the manhood and non-binaryhood of the Onguiaahra tribe
who first came to these shores and seemed to settle down
before borders came along and the jest of crowns
saw these waters, called them holy, then were marred by whites
blood and tar on knives when the Wasi’chu in war took strides
these white jarring sprites left them scarred for life

Guess there is beauty at the Hob Nob and the golf club, too
beauty can be tamed like shrews, be laid subdued
but true beauty comes from the shores and lakes
the light on trees in Chautauqua Park when autumn fades
sages, tools and crazy fools I pray for you
for the beauty that is baffling be made anew
through the eyes of the Maid of the Mist to blaze a new

pathway crossing rivers not like a erasing tool
but as a trade wind coming on emblazed in gold
where the remnants of the vengeance are not in haze but cold
the way that dish is best served as Eugène Sue used to say – and wrote
before these woods burn down, let’s say we tried First Nation-rule
or at least learnt lessons from the days of old
we must restrain ourselves, change our ways, we’re told. We know.

Friends, I propose a toast for Missisauga beach
where the lake’s waves make clarion calls! – retreats…
in a rhythm ancient, as the waves and sand
way older than fights o’er Plains of Abraham
to settle up a town here, it is no small feat
and there’s no enemies here, yet we have walls to breach
what can be called victory, what called defeat?

When the enemy is all greed inside us… already on retreat?


Source:  Arvida Svenske, 2026

Arvida Juni Svenske is a poet, a folk high-school teacher, writer and journalist born in a place called Stockholm, Sweden. She is a history buff, fantasy nerd and a huge fan of hiphop and reggae, who in 2025 just published her first poetry collection in English, Caribbean Wind, Polynesian Storm published by She Rises , in which she explores colonial crimes committed and knowledge lost, especially other views on gender than the two-gender-norm. Oh, and she’s currently writing a follow-up book that details her journey into womanhood, Estrogen speech – and oh, she has a podcast: Cohenpodden.

Reach out to her on:

Instagram: https://www.instagram.com/arvidasvenskeauthor/

Niagara Falls Nocturne by Len Gasparini

gasparini
Heart-Shaped Jacuzzi in a Suite at the America’s Best Inn on Lundy’s Lane
. Photo by Alina Rashid, July 13, 2005
Image courtesy of Niagara Falls Public Library

The same old souvenirs
still amuse us — pennants,
Indian wood carvings,
and the aphrodisiac cocktails
whose nectar we spill
on pillows like some happy couple.

We spent our sleepless nights
rehearsing melodramas (I remember
your fondness for Chopin)
while the monotonous aquatic
thunder numbed our ears
and the braille of stars felt soft.

In a lofty luxurious suite
overlooking
the picture postcard cataracts
we tickled the skin of dreams
and fevered our love 
with hors d’oeuvres.

At night the neon loins
of this city unveil brides galore.
O Rainbow Bridge,
believe me when I say
our honeymoon was nothing more
than breakfast in bed.


Source:  Len Gasparini. Cutty Sark: Poems. Quarry Press, 1970. This poem also appeared in New American and Canadian Poetry edited by John Gill, 1971

Read Remembering Len Gasparini by George Elliott Clarke

1835 Review of William Coyle’s “Falls of Niagara, as Seen From the Table Rock”

In 1835 William H. Coyle published a chapbook “Falls of Niagara, as Seen From the Table Rock,” which is on the website at https://niagarapoetry.ca/2026/01/26/coyle/

The chapbook incorporates copious footnotes.
 
This poem was not received favourably by all readers. In the Cincinnati Mirror a review was published by “G,” presumably the editor William Davis Gallagher. The tone of this review is set in the first sentence: “Upon what principle this production is called a poem, we have not been able to determine” and grudgingly continues “It is true, that it contains occasional good similes, and is not destitute of poetic imagery; and moreover, has one quality of the sublime—being sometimes eminently obscure.”
I’ve added this review in the pictures below, and also added it to this poem’s page on the website (link above).
 
I invite you to take some time, read the poem and then the review, and decide if G was perhaps a little harsh or right on.
 
review
 
 
 
 
 
 
 

Niagara by H. Clinch

clinch
Part of Niagara Falls on the U.S. side of the river, seen from the Canada side
Drawn June 1806 by D. Wadsworth, from nature
Image courtesy of the Library of Congress

Roar, raging torrent—and thou mighty river
    Dash thy white waves on the valley below ;
Frown, ye dark mountains, and shadow for ever
    The deep rocky bed where the rude rapids flow.
The green sunny glade and the smooth flowing fountains,
    Brighten the home of the coward and slave,
The flood and the forest, the rock and the mountain,
    Rear on their bosom the free and the brave.

While pours thy broad wave like a torrent from heaven,
    Each son thou shalt rear in the battle’s wild shock,
When the death speaking blast of the trumpet is given,
    Shall charge like thy waters, or stand like thy rocks ;
Though his roof be the clouds, and the ground be his pillow—
    Though he stride the rough mountain or toss on the foam,
He will strike fast and well on the field or the billow,
    In triumph Columbia !—for God and his home.


Source: The Albion. June 6, 1835. Signed H. Clinch, Esq.

This poem is almost identical to the first and last (6th) stanzas of the poem Niagara by Joseph Rodman Drake

Also published with minor changes in: The Southern Warbler: A New Collection. Charleston: Babcock & Co., 1845  and in Songs of Ireland and Other Lands.  New York: D. & J. Sadlier, 1847

Niagara by Thomas Cole

thomas cole
Distant View Of Niagara Falls
by Thomas Cole, 1830
Image courtesy of Wikimedia Commons

Softly the light in these umbrageous realms
Falls on the path, and plays upon the leaf —
Softly the breeze now whispering steals between
The thousand pillars of the quiet wood —
And we with gentle musings, and fond thoughts
Untroubled, free, pursue our pleasant way —

What sound is that careering on the wings
Of stormy blasts, so mightily and fills
The lofty arches of the forest wide ?
Is it the clamor of impetuous winds
That strive for egress from some rock-bound cave ?
Or is an earthquake waking from its wrath
And from the high unstable mountain tops
Hurling the ponderous and rebounding rocks ?

No! tis Niagara shouts from the abyss
Where headlong he has cast him in his might !
And rocks, and woods, and the astounded air,
And earth’s deep center tremble as with fear —

Approach and view the wonder of a world
See ! when the waters of a hundred lakes
An unheaped multitude tumultuous leap
O’er the projecting crags, into the gulf —

Thence the thick mist perpetual ascends,
In cloudy piles into the sky and hides,
The quivering torment of the floods below —
Like steam emitted from some cauldron vast
Vexed by furious and unquenching fires —

Thou consummation of the earth’s sublime !
Thy course nor time, nor tide, nor change hath stemmed !
Thy voice hath risen above the tempest’s roar
Year after year till countless they are grown —

Seasons have looked upon thee and have died —
Ages have vanish’d and the earth grown old —
Man who hath moved mountains, bound the sea,
Awe-struck recoils and works on thee no change

The earth hath much of beauty but the choice
Is garlanded around thine august brows —
Yon, flaky foam is white as alpine snow —
Yon gushing emerald clear as ocean’s depths —
The bow of promise sits on sable clouds ;
But lo ! a far excelling iris girds
The dazzling splendour of thy snowy breast—

Ages untold thy voice broke forth unheard ;
But by the shrinking wolf, or the tim’rous deer
Or wandering savage of the echoing wild —
Until an enterprise sublime unbarred
The mighty portals of the golden west
And midst its teeming fulness thou wast found
Majestic in the wilderness enthroned —

Written at the Falls May, 1829


Thomas Cole visited Niagara for the first time just before his departure to England in June 1829.

Source: Thomas Cole. Thomas Cole’s Poetry. comp. & ed. by Marshall B. Tymn. York, PA : Liberty Cap Books, 1972.

Read about the painting Distant View Of Niagara Falls

Read about Thomas Cole