The Bridge Builder by Maxine Kumin

June 17, 1848. Charles Ellet, Jr., the civil engineer who designed the suspension bridge soon to be built over Niagara Falls, today tested the service span to be used in its construction by driving his horse across the planking.  – Brooklyn Eagle

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Kite Flying Contest Held To Get The First Line Across [The Gorge] For The Suspension Bridge. Based on an unsigned sketch by Donna Marie Campbell, Courtesy of Niagara Falls Public Library

I, Charles Ellet, Jr., licensed engineer
son of a provident Quaker farmer
now stand at the gorge where Niagara Falls

offers a prospect so sublime no rival
as yet is known on this great globe of ours.
Let men deride me as actor, rainmaker;

let it be said of me that I have loved
all carriageways and catwalks, all defiles
wide gaps and narrow verges to be bridged

am fond of women and horses equally
although the latter’s sensibility
is plainer far to read. However much

respect I hold for Nature’s rash downrush
her virginal ebullience, I itch
to take it in the compass of my fingers.

One does not “break” a horse, but wins its trust.
With towers and cables, not brute trusses;
with tact, not tug; suspension, not piled piers

I mean to overarch this wild splendor.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡*  *  *

Let them think me odd who see as if
asleep my silent self reflecting how
to span the rapids boiling at my feet

two hundred forty feet below the cliff
to be exact. An arrow from a bow?
A bird or a balloon? Why not a kite?

A kite could soar across the open rift!
The public loves such deeds. I’ll offer a prize,
a decent sort of prize, say five gold dollars

to the first man or boy who sends his string
to Canada.** The placard up three days
a local gap-toothed lad steps forth to win —

a widow’s son, shy skinny Homan Walsh.
He’s going to outlive me. Will he grow
up bold, race Thoroughbreds, get rich

performing acts of wild derring-do?
I don’t at this point know, nor know that
I’m to die a colonel in the Civil War

a hero slain leading a charge of rams
— warships rigged to ram opponents’ hulls —
on The Big Muddy to rout the Confederates.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡*  *  *

Backward looks are licensed. To look for-
ward isn’t done; is not acceptable.
But give me leave to leap beyond the date

of my flamboyance, 1848,
and introduce High-Jumping Sam: Sam Patch
clad all in white, who dives from the cliff into

the rainbowed pool at the foot of the cataract
and not content with one dive, makes it two.
Reprises at Genesee and straightway drowns.

Or Blondin in ’59 adored by thousands
who cheer his tightrope walk across the chasm.
He’ll have a score of successors, circus clowns

who mock the danger, simulate cold fear
half-fall, recover and go blithely on
some piggyback, some skipping rope, afire

with the same lust for fame and fortune
as those who dare chute down the drop in barrels.
The first a cooper proving his staves would hold

then scores of imitators taking the falls
by barrel, boat and cork, a steady parade
of madmen. And always the suicides . . .

Dramatic death! Love also knows no season.
Though bliss be brief that attends unbridled passion
romantic couples will hasten by canal

or rail to flaunt their ecstatic portion
fulfill the fleeting period of joy
that one wag titles “honey-lunacy.”

Some say the falls gently distract the lovers’
overweening focus on one another.
Some say the tumult of the cataract

conceals the newlyweds’ embarrassment
caught, as it were, in the rapturous nuptial act.
Others aver the falls’ ceaseless descent

evokes a rich manly response. Some brides
claim happy negative ions are produced
by falling water. You may take your choice

of savants, sages and hypotheses
but thus Niagara will come to boast
hotels and curio shops and carriage-rides

to vistas for photos of the just-now wived.
Skeptic I am, unmarried by design.
Still, might not the spectacle conjoin

male and female qualities into one?

‡‡‡‡‡‡‡‡‡‡‡‡‡‡*  *  *

Now let us turn back from this clairvoyant
glimpse to the day that Homan’s kite string held.
I tie it to a somewhat stouter cord

and next, a heavier one of finespun wire
and ever-mightier cables to support stout
wooden planks until from shore to shore,

just wide enough to let a phaeton pass,
a catwalk spans the gorge. The boards are spaced
to let rainwater through. Side rails? None.

I test it harshly across and back, first at
a walk, then jog, then crow-hop up and down
assured that it will hold. Once I trust it

I harness up my mare, to show she will.
A chestnut Morgan, foaled in my own barn
and trained to voice commands the way a skilled

driving horse need be, to keep from harm.
Vixen by name but not by temperament,
spirited, willing and confident.

Do not mistake submission, the highest
accolade man can bestow on a horse,
with truckling subservience. The mare must trust

the steady justice of the driver’s hand.
Fingers that speak, not snatch; a voice
that soothes and urges but withholds choice.

Vixen and I prepare to take our stand.
I stand up in the cart as in a chariot
the better she may sense we are allied

and ask her to move off at a rapid trot.
She never casts a glance to either side.
The crowd is aghast. Several women swoon.

The catwalk sways most fearfully but holds
beneath the mare and horseman in the sky
and that is how we cross, Vixen, my bold

partner, and I, Charles Ellet, Jr.,
bridge builder, licensed engineer.

**The kites were actually flown from Canada to the United States using the prevailing westerly winds. 

Source: Kumin, Maxine. “The Bridge Builder.” TriQuarterly, Winter 1995, p. 162-166.
Also published in her 11th book of poems, Connecting the Dots, Norton, 1996
Maxine Kumin (June 6, 1925 – February 6, 2014) was an American author and poet who won the Pulitzer Prize for poetry in 1973. She was the Library of Congress Poet Laureate for 1981-1982

Untitled by John G. Saxe

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Niagara River Whirlpool. Image courtesy of Niagara Falls Public Library

See Niagara’s torrent pour over the height,
‡‡How rapid the stream! how majestic the flood
Rolls on, and descends in the strength of his might,
‡‡As a monstrous great frog leaps into the mud!

Then, see, o’er the waters, in beauty divine,
‡‡The rainbow arising, to gild the profound 
The Iris, in which all the colours combine,
‡‡Like the yellow and red in a calico “gownd!”

How splendid that rainbow!  how grand is the glare
‡‡Of the sun through the mist, as it fervently glows,
When the spray with its moisture besprinkles the air
‡‡As an old washerwoman besprinkles her clothes!

Then, see, at the depth of the awful abyss,
‡‡The whirlpool careering with limitless power,
Where the waters revolve perpetually round.
‡‡As a cooper revolves round a barrel of flour!

The roar of the waters! sublime is the sound
‡‡Which forever is heard from the cataract’s steep!
How grand! how majestic! how vast! how profound!
‡‡Like the snore of a pig when he’s buried in sleep!

The strong mountain oak and the tall towering pine,
‡‡When plunged o’er the steep with a crack and a roar,
Are dashed into atoms ― to fragments as fine
‡‡As a pipe when ‘t is thrown on a hard marble floor!

And O! should some mortal ― how dreadful the doom!―
‡‡Descend to the spot where the whirlpool carouses,
Alas! he would find there a rocky tomb,
‡‡Or, at least, he’d be likely to fracture his “trowsers!”

Source: Table Rock Album and Sketches of the Falls and Scenery Adjacent. Buffalo: Steam Press of Thomas and Lathrops, copyright by Jewett, Thomas & Co.,1856c.1848

Also published in: Hackstaff’s New Guidebook of Niagara Falls.  W. E. Tunis & Co., 1853

Uncle Alvin at Niagara by Almon Trask Allis

Alvin   

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Artist’s Sketch of Three Sisters and Goat Islands Just Above Niagara Falls. Courtesy of Niagara Falls Public Library

“The last excursion of the year,” I read the other day,
Affordin’ opportunity to see grand old Niagara ;
And for a dollar and a half, to go up there and back,
And see the sights, and ride above two hundred miles of track,
Seemed like we’d get our money’s worth, if we could get away,
And leave the farm and kitchen cares behind us for a day.
We’d been a-wantin’, all these years, to go and see the falls,
But, somehow, when the chances came there’ d be so many calls
For both our time and money, that the chances slipped away,
While year climbed on the top of year, ’til we are growin’ gray ;
And still the cares we have to meet are such a clingin’ kind,
It’s often mighty difficult to slip them off behind,
And dump them in a heap somewhere, or lay them on a shelf,
While we get out from under, and can slip off by ourself.
But nature seemed to favor us ; the season was so fine
We got our summer’s work along a bit ahead of time ;
And nothin’ seemed a-crowdin’, like, and coaxin’ to be done,
As is the case too frequently, to keep us on the run ;
And Nancy hadn’t been away, exceptin’ to the fair,
To loosen up the constant strain of daily wear and tear
Of wrestlin’ with problems which perplex a woman’s brain,
And keep her fingers busy, and her muscles on the strain,
For such a long time back that I’m almost ashamed to tell,
And if I really wanted to, I couldn’t very well ;
And I, myself, had worked so long, as farmers have to do,
To keep the work from snarlin’, like, and keep it payin’, too,
That I was glad to see a chance to lay aside the strain
Which makes the years to tell on me as well as Nancy Jane ;
And when I read the notice, why, it seemed to strike us so,
That both of us together said, “I guess we’d better go.”
And so the thing was settled, and we’d picked our grapes and plums
To be ahead of frost or thieves, provided either comes ;
For frosts may be expected almost any pleasant night,
And thieves, if not expected, are so plenty that they might ;
And Nancy had our luncheon baked, and I had bought some cheese,
And she had found a paste-board box, as handy as you please
To put our picnic dinner in ; so when the mornin’ came,    Continue reading “Uncle Alvin at Niagara by Almon Trask Allis”

The River Niagara by Donald Lashelle

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1930’s Aerial View of Niagara Falls. Courtesy of Niagara Falls Public Library

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡I

In nature, all acts that have gone before
Leave traces, record marks, clues, tracks in store
That many persons pause to ponder o’er.
From inside outwards was the earth’s crust made,
The hollows caved in, the high mountains stayed,
Encircling flames produced the waters vast,
And time and seasons scaled things to the last.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡II

Would thirty thousand years of effort score
On your astonishment a mark, or more?
Then hearken to a tale of work replete
With action in rain, sunshine, frost and sleet.
The speaker is NIAG’RA RIVER, old,
Clear, turbulent, odd, scenic giver, bold.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡III

With strength unshorn by time, and white of brow,
But not from years, I am the center now
For myriads that travel from far and
Near to view my Falls as the cascade grand.
My life is in the cycle of the rain,
My strength from waters the Great Lakes retain.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡IV

The first to view the drainage plan, of three
Such large lakes flowing into Erie free,
Thence through me to a fifth and on to sea,
Said, “This is quite rare and not apt to be.”
Important link am I, from fourth to last,
The present scanned, the future viewed, or past.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡V

The deep flow of my misting Horseshoe Falls,
Out does thin water leaping from side walls.
The view and sound effects are rapturous,
The roar, thump grind and spray continuous.
At what they sense, the millions gaze appalled,
Awondering, breath indrawn, stilled, enthralled.   Continue reading “The River Niagara by Donald Lashelle”

Niagara by Arthur William Fisher

Niagara by Arthur William Fisher
Portrait of Arthur William Fisher
                        I

NIAGARA, how charms thy name
    Resounding from thy high walled sheer!
How sweet thy water's far acclaim
    That bursts upon my pricking ear!
How beams my eye with kindling flame
    As to thy presence I draw near,
Where beautied grandure's falling swell
Weaves still time's awful, mystic spell!

I gaze at thee from nearest shore,
    Close by the impending brink,
In wonder at thy fearful pour
Of waters, til, amazèd more
    Than I can tell or think,
I only see thy mist's fine shower
    That wafts upon these walls,
And vision dim that mighty Power,
    The Great Spirit of the Falls.

                    II

But lo ! up stream, in fitful dream,
    The rolling, rumbling rapids roar,
And toss and tilt and turn and teem,
And gurgle in their cascades' gleam
    From isle to isle and isle to shore;
        And oft repeat the dazzling feat,
Display their leaping wonders more,
Rush round the rocks with flaring locks,
Lead as bellweathers do their flocks,
    While through their tree-trimmed way they pour,
        These bounding waters, fleet, more fleet,
To gather in one onward rush
    Adown their troubled, rocky bed,
And struggle, straggle, gurgle, gush,
    To follow where their leaders led;
        But panting now for breath,
            They stagger to the edge
            Of overhanging ledge,
        Fearing the plunge beneath;
When forth in foam their fellows come,
Cheering and jeering the faltering and fearing,
Till onto the precipice they rush with a roar,
Exulting and leaping, as comrades before;
Yet staring, stumbling, crashing, crumbling,
    As host with host o'erpowering,
Each glistening wight of air commingled,
    They fall in gulf devouring;
Or, flaring, flashing, darting, dashing,
    To break as gleaming snow,
While splitting, splashing, gnawing, gnashing
    Upon the rocks below;
Whence o'er the heights their spirits towering,
Sweeping, swaying, rising, lowering,
    Rejoin the ceaseless flow,
That with recurring, falling shock,
    Born on the wind's bluff blast,
Wears e'er amain the shelving rock,
    And undermines aghast.
    There as by mighty hand,
A cavern forms, carved by the storms
    Of vexed spray's pelting wave;
    And in that rocky cave
Rough columns stand with altar grand;
    While fittingly conforms
The spray-worn dome and bowlder pave,
Round which reëcho e'er a stave
    Of wailing wind's weird band;
And there before the cavern door,
Attended with intoning roar,
    E'er falls the Bridal Veil
    And sweeps the filmy rail,
Which now through Bridal Hall are fanned,
Now screen that Wind's Cave from the land. 
 Continue reading "Niagara  by Arthur William Fisher"