Alexander Duringer is a reformed English teacher from Western New York currently living in Raleigh, NC where he studies as an MFA candidate at North Carolina State University with a concentration in poetry. He received his Masters in English Education from SUNY Buffalo in 2015. He is a winner of the Academy of American Poets Prize and received an Honorable Mention for the Dorianne Laux Prize for Poetry. In addition to this poem in Passengers Review, his poems have appeared or are forthcoming in The South Dakota Review, &Change, Plainsongs, Cola Literary Review, The Shore, and Poets.org among others.
Ice Bridge at Niagara Falls, In Memory of Mr. and Mrs. Stanton and Burrell Hecock
‘Twas on a Sabbath morning,
From distant homes they strayed,
To see our old Niagara
In her mantle of white arrayed.
And with Jack Frost’s protection,
The tourists thought how grand
To be on the noted ice bridge
Anywhere to stand.
But the strength of Frost was feeble,
Compared with mighty force
Of the rushing undercurrent
Unchanging in its course.
For soon the ice was parted
And, alas! too quickly was seen
People on glassy islands
Floating down the stream.
And there was Mrs. Stanton
Just paralyzed with fear,
Saying to her husband
Let us die right here.
Poem Accompanying the Memorial Card
Near by a brave young laddie,
Who was running his life to save,
Heard the call: “Come back and help us
To escape a watery grave.”
And as he thus responded
To try and save another
He said to his companion:
“Don’t you tell my mother.”
But a message of mental telepathy
To that mother quickly flashed,
While ropes were dangling here and there
And the cruel waters splashed.
For she saw in a glass of water
Ice and people, too,
Rushing about confusedly,
Knowing not what to do.
Then she thought of the treacherous river,
That water so fierce and wild,
And exclaimed: “I have a presentiment
Something has happened to my child!”
Brave men worked hard to save
The two who still remained
On that block of ice much smaller
Than when it first was framed.
For, Oh, they were surrounded
By Niagara’s silvery crest,
Which none were allowed to step on:
Not even a noted guest.
Kneeling in prayer they were ushered,
The time was very brief,
Until the Whirlpool caught them
And gave them sweet relief.
Image and insert containing the poem by Jessie Clark courtesy of Niagara Falls Museums, accession number 2024.016.29. Many thanks to Assistant Curator Sara Byers for bringing this to my attention.
Joseph Avery Stranded on Rocks in the Niagara River. Daguerrotype by Platt D. Babbitt, 1853. Courtesy of the Library of Congress
All night long they heard in the houses beside the shore, Heard, or seemed to hear, through the multitudinous roar, Out of the hell of the rapids as ’twere a lost soul’s cries,– Heard and could not believe; and the morning mocked their eyes, Showing, where wildest and fiercest the waters leaped up and ran Raving round him and past, the visage of a man Clinging, or seeming to cling, to the trunk of a tree that, caught Fast in the rocks below, scarce out of the surges raught. Was it a life, could it be, to yon slender hope that clung? Shrill, above all the tumult the answering terror rung.
–William Dean Howells, “Avery”
Nothing else I could do. It’s my profession after all. Photographing Niagara Falls. Its views. Its visitors. And selling the resulting daguerreotypes. Quite successfully. Because I’m a damn good daguerreotypist. Ask anyone around here. And I’m on duty every day, 365 days a year. This day, July 16, 1853, I was waiting for tourists along the American Channel rapids when I saw three men struggling to maneuver their row boat to shore. They had been working on the big dredging scow anchored in the river. Their oars were broken. Or lost. I turned my lens toward them just as the boat capsized and I saw two bodies cartwheeling over the edge of the American Falls too fast for me to capture them in my camera. There was no sign of the third man — turned out to be a local fellow named Samuel Avery — until he leapt up like a fucking phoenix and sat astride a log cantilevered in a rocky shoal in the middle of the river. The rapids were way too loud for him to hear my hallo, so I waved at him with both arms, but he was likely too afraid to let go of the log to answer. He was riding the river like a scared girl on a runaway stallion, but luckily he kept still enough for me to create an historic photograph. Took an even longer time till someone thought to hitch a lifeboat to the Bath Island Bridge and send the boat down toward the man. Avery caught and climbed into the boat, but before I could re-focus, the rapids turned the lifeboat upside down, and Avery, thrown back into the river, met his fate just as his friends had hours before. Nothing else I could do. I returned to my hotel where I processed the plate and encased a dozen of the images for sale at my Point View stand. They sold well. They still do.
Source: The author, 2021
Listen to James Penha read the prose poem Platt with a short commentary.
Guide Thomas Conroy Standing by the Dressing Room of the Shadow of the Rock Building. Photo by George Barker. Image courtesy of Niagara Falls Public Library
The sun looks out of a cloudless sky ; ‡‡The winds are drifting the apple-blows
That over the grass like snow-flakes lie ;
The oriole wooes his mate as they fly ; ‡‡And William McCullough to labor goes.
A prayer is warm in the old man’s heart, ‡‡A song is quivering on his tongue ;
As he busily plies his wonted art
He watches the arrowy rapids dart ‡‡Under his scaffolding, safely hung.
A moment more and under the tide ‡‡Of wrathful waters his form is lost !
The river fiends fasten on his every side —
They pluck at his beard, they gibber and chide ! ‡‡He is blinded and deafened and pelted and tost !
Weary and wounded, all breathless and sore, ‡‡More than half dead he is hurried away,
Close to the brink where the great waters pour,
Heedless and headlong with terrible roar, ‡‡Into a vortex where never was day !
What can prevent him ? O Father Supreme ! ‡‡Darkness like this thou alone can illume !
See ! What is that in the turbulent stream ?
It is a glimpse — a half-comforting gleam ‡‡Of floating grey hair mid the circling spume !
Yes ! he is clutching with half palsied hand ‡‡Yon God-given guerdon — a pillar of stone —
He whispers with Death and looks toward the land
Where he never again with his fellows may stand’ ‡‡Who powerless must leave him to perish alone !
But lo ! who is coming with masterly stride, ‡‡Pride on his forehead and strength in his frame ?
Tom Conroy, the guide, who was never defied,
He laughs at the danger — and braving the tide ‡‡Is bound with a cord to the chariot of Fame.
Strong was the rope that was fast to the shore, ‡‡And under the coil was a heart big and brave —
Aye, braver to-day than ever before,
He reaches the rock — and like Perseus of yore — ‡‡He rescues his friend from the fiend of the wave !
When the names of our heroes are written or sung, ‡‡We will chant your name Conroy in musical stave
When palsied your arm and silent your tongue,
The child now unborn, shall hear how you flung ‡‡Yourself in the wave, a comrade to save !
Source: Niagara Gazette, June 10, 1874
Read an article on the rescue of William McCullough by Tom Conroy from the Buffalo Evening Courier & Republic, June 2, 1874
John Tyndall visited Niagara Falls, and in the chapter “Niagara” of his book Fragments of Science (1879) he tells of hiring Conroy as his guide. About a year after Tyndall’s visit, the rescue of William McCullough took place. Tyndall wrote a postscript to the chapter:
A year or so after I had quitted the United States, a man sixty years of age, while engaged in painting one of the bridges which connect Goat Island with the Three Sisters, slipped through the rails of the bridge into the rapids, and was carried impetuously towards the Horse- shoe Fall. He was urged against a rock which rose above the water, and with the grasp of desperation he clung to it. The population of the village of Niagara Falls was soon upon the island, and ropes were brought, but there was none to use them. In the midst of the excitement, a tall powerful young fellow was observed making his way silently through the crowd. He reached a rope ; selected from the bystanders a number of men, and placed one end of the rope in their hands. The other end he fastened round himself, and choosing a point considerably above that to which the man clung, he plunged into the rapids. He was carried violently downwards, but he caught the rock, secured the old painter and saved him. Newspapers from all parts of the Union poured in upon me, describing this gallant act of my guide Conroy.