James Alexander Tucker Biography by Arthur Stringer

James Alexander Tucker Biography (1872 – 1903)

tucker biography
James Alexander Tucker

James Alexander Tucker was born in Owen Sound, Ontario, on the 22nd day of December, 1872. He was descended of that sturdy pioneer stock through which, as may so often be seen in this Dominion of ours, a passionate love for outward freedom and largeness of material life is transfused into an equally passionate love of liberty for those less tangible things of the mind and spirit.

The bending of the twig, in even his earliest youth, showed clearly enough just how the ultimate tree of destiny was to be inclined. At the age of three, before he had so much as mastered the alphabet, he might be called a scribe, for once a week he issued to his family circle a newspaper made up of lines and dots and atavistic little drawings. This in time gave place to a carefully printed weekly, a compact sheet some five inches square, into which crept not infrequent echoes of the tears and laughter, the tiny comedies and the calamities, making up all childhood. This odd little sheet was tenaciously circulated among friends and relatives for years ; and during his subsequent school-days he was responsible for a number of more ambitious journalistic ventures, culminating, after his entrance into the Owen Sound Collegiate Institute, in the establishment of “ The Auditorium ” which, it is perhaps worthy of note, still remains the organ of the students’ literary society in that institution.

Often in those lives predestined to be brief is crowded a compensating capability for continuous and feverish action. The life of James Alexander Tucker, like that of other poets who in the very April of their days bade farewell to the world, is still another instance of the operation of this tendency. He was a worker always, a joyous, indefatigable worker. With all the time and thought and care lavished on his adolescent journalism, he still succeeded in taking a high stand in his school work. When he was matriculated, with honors, from the Owen Sound Collegiate Institute, and became an undergraduate of the University of Toronto, the sphere of his literary activities widened, and an opportunity for sustained and more serious effort presented itself ; but never did he allow the stress of his purely creative work, which was both a delight and a necessity to him, to interfere with his academic obligations.

Although, as a youth, he was touched with that reticence and shyness which is both the evidence and the outcome of the more imaginative and sensitive nature, he had never allowed any shadow of this temperamental timidity to darken his ardent and resolute spirit. He was, indeed, the possessor of that higher and better courage which is born of the union of a delicate and painstaking scrupulosity with a keenly aggressive and almost inflexible will. He was ever more of the Hamlet than the Laertes, gentle, lovable, loyal to the uttermost, with at times a touch of intellectual melancholy about him ; yet even to the end, when entering the very shadow of the Valley, a valiant and outspoken lover of life. To those of his friends who wandered from the straight and narrow path of faith he seemed surprisingly orthodox. For with all his vigor and inquisitiveness of mind, his natural bent was strongly conservative. His entire career, to me, always seemed strangely parallel with that of Arthur Hugh Clough — with the marked difference that where one went on questioning to the end, the other sought consolation in revealed faith and found strength in the religion of his fathers.

It was this seriousness of mind and strength of conviction, even above that indefinite and all-but-in- describable atmosphere of sweetness and light dwelling about the rapt young poet, which attracted to James Alexander Tucker the more serious minds of his university class.

Within the halls of every college, I take it, however materialistic or bacchanalian its outward tendency, there practically always exists a select coterie of finer undergraduate spirits, looking out on life more earnestly and more questioningly, more wistfully and more passionately seeking that inner and older truth which is not to be found in the class-books, draining from pure and congenial fellowship that rarer wine so often denied the noisier apostles of what I might call modern collegiate epicureanism.

It was our young poet’s privilege to be the centre of such a coterie at the University of Toronto. Although neither avid of applause nor audacious of action, he was at once recognized as a leader of student life and thought, and readily and spontaneously those different honors at the disposal of his classmates were thrust upon him. His most significant and noteworthy election was that to the editorship of ’ Varsity , the long- established and jealously maintained weekly paper of the student body. It was while filling this position with such brilliant success that the young poet, with his passionate love of freedom, with his hatred of oppression, and his uncompromising ideality, came into collision with constituted authority.

It is a decade now since James Alexander Tucker fought his courageously determined fight for liberty of undergraduate speech and activity. It would be needless and out of place here to enlarge on his sustained and self-sacrificing opposition to authority tyrannically exercised. Momentous as the episode seemed to the student-body, which joined in open and unanimous revolt against those powers which oppressed them, the movement which Mr. Tucker headed is here worthy of consideration more as an evidence of one unselfish man’s heroic and disinterested devotion to Abstract Right, and as a token of that scrupulous allegiance to a just cause, however hopeless and forlorn, which marks the strong mind as the leader of the weak. It is, at best, a sad and painful chapter in the history of those halls which so many of us love, or have loved. It is a sad and painful chapter, — and yet it is far from being a record of defeat. For out of the ashes of such failures rises the more triumphant and the more enduring victory.

“ Two only in God’s universe —
Two wretched beings, hateful base ! —
The Stars have power to grind and curse,
The Years have warrant to disgrace : —
He who in hate shouts ‘Crucify !’
And he who, knowing well the Right,
Stands by, nor draws his sword to fight,
Because his vile heart fears to die.”

It is true that the young poet left the walls that should have been proud to shield him, preferring expulsion to the sacrifice of a righteous conviction. But his going was of such a character that his migration to Leland Stanford University partook, indeed, of the nature of a justly won triumph, — not of the ignominy of a spiritual defeat. Even the college from which he went, as was the case after the expulsion of Shelley from Oxford, in time learned to regret, tacitly if not openly, the measures which the obduracy of offended dignity had prompted.

After Mr. Tucker’s death, indeed, a number of his most vigorous professorial opponents wrote poignantly significant letters, expressing their personal admiration for the purity and strength of his character and the undeviating lofty disinterestedness of his conduct

After being graduated from Leland Stanford University, James Alexander Tucker, who all through his busy collegiate career had supported himself with his pen, naturally enough turned to the profession of letters for a livelihood. Since he chose to remain in the land of his birth, scorning the wider scope and the noisier and readier recognition of the alien market, he at once identified himself with Canadian journalism. Here again, as during his earlier college course, his clearness of thought and firmness of conviction enabled him to leave a marked influence on even the the busy currents of public opinion. His scholarly and studious editorials were copiously quoted and copied ; the different periodicals with which he was associated took on a personality and vigor all their own. Indeed, so successful and so engrossing did this journalistic work become that it remains a matter of regret that the leisured poet for a time stood in danger of being lost in the busy writer of the day. Already, in the spring of the year 1899, he had married Etta B. Graham, of Owen Sound, the friend and playmate of his ardent boyhood days. It was a happy and enriching union, marked by the birth of one child, a daughter. But with its joys and solaces the newer order of things brought with it its newer preoccupations and responsibilities. His note of song became all too rare. Pure and lofty as was his verse in quality, grim circumstance sternly limited its quantity. The exactions of the newspaper office ordained that lyric-writing should become an avocation of leisure, and not a vocation of self-absorbing idleness.

Yet into this verse has flowered the essential spirit of the young poet as he was and as he lived — only, as Merck once said of Goethe, James Alexander Tucker always stood and always will remain greater than anything he wrote. He made life itself fully and deeply harmonious. He attuned existence to that timeless music which falls from the lips of Faith and Hope and Love.

Indescribably moving and tragic as were the circumstances of that last long illness to which in the end he was forced to bow — an illness, too, of such a nature that as the cruse of the body became frailer the flame of the mind grew stronger — there was no sign, from first to last, of muffled self-pity or attitudinizing. He accepted his fate silently and valiantly, even on the day of his death finding much pleasure and consolation in a volume of Matthew Arnold’s poetry, doubtless thinking of that Thyrsis for whom other minds had mourned. Yet with all this tenacious alertness of mind he had neither the vanity nor the inclination of the trained hand (to be seen even in a Robert Louis Stevenson) to toy with the dark folds of his adversity. Both his grief and his resignation seemed tighter-lipped than that of Stevenson. It was a stoic and studious calm, too deep for words and artistry.

And this the chosen few who knew and loved him wistfully remembered, and at least partly understood, when, on the twenty-second day of December, precisely thirty-two years after the date of his birth, all that was mortal returned to the dust whence it came, and those scattered songs which were but echoes from the fuller symphony of his perfect life, were left to the careless ears of a seemingly uncomprehending world. And yet he is not dead ; nor will he altogether die. For, as once sang that master-spirit whom he so loved —

“ He has outsoared the shadow of our night ;
Envy and calumny, and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again
Peace, peace ! he is not dead, he doth not sleep —
He hath awakened from the dream of life.”

Biographical notes on James Alexander Tucker by Arthur Stringer, published in Tucker’s Poems.  Toronto: Briggs, 1904.

See Tucker’s poem Lundy’s Lane

About Arthur William Fisher

Niagara by Arthur William Fisher
Portrait of Arthur William Fisher


Dr. Arthur W. Fisher was born at Pultneyville, New York, on February 14, 1872, and received his preliminary education at the cobblestone school in that village. When 17 he entered Sodus Academy, from which he graduated in June 1892. The following Fall he entered the Marion Collegiate Institute to prepare for Cornell University, which he entered in 1894, graduating four years later with the degree of Bachelor of Arts. He took a post-graduate course at Cornell and received his Ph.D. degree.

He taught for several years, and in 1905 entered the Medical School at Ann Arbor, Mich., from which he graduated with the degree of M.D. He remained at the college where he did research work in the laboratories, making several chemical discoveries. After leaving Ann Arbor he went to Toledo, Ohio, where he became the head of the faculty of the medical school. In 1914 Dr. Fisher came to his home town to resume active practice. He contributed to “Medical World” and wrote a series of poems which appeared in book form under the titles of “Lake Breezes,” “Land Breezes,” and “Niagara and Other Poems.”

From an obituary supplied by his nephew, Philip C. Fisher, May 2003.

Niagara Falls Coat of Arms
Niagara Falls Coat of Arms. Used with permission of the City of Niagara Falls.

On May 15, 2006 The Corporation of the City of Niagara Falls was granted a new Coat of Arms, including the motto “Tread the Smoother Ways of Peace.”  This motto was taken from Dr. Fisher’s poem Niagara,  which the Canadian Heraldic Authority found on this website.  From the description:

Motto
“This sentence is taken from Dr. Arthur William Fisher’s poem Niagara, published in 1924. As Niagara Falls is the most famous border city in Canada, this alludes to the peaceful relationship with the United States, valued particularly in a region that saw terrible battles in the War of 1812. This motto can serve as an exhortation to all citizens to advance the cause of peace.”

Dr. Fisher’s poem Niagara

About Melinda Nowikowski

Portrait of Melinda Nowikowski
Melinda Nowikowski

“Melinda Nowikowski is a failed journalism major, who currently resides in Kettering, Ohio.  She has been writing poetry since she was old enough to understand the concept of rhyme, which is to say approximately 25 years.  Her husband, Tony Nowikowski, a web engineer, was the subject of this work.

At this time, she is employed as a part-time document preparation assistant, animal shelter volunteer and full-time cat slave.  She composes poetry when it arrives in her head, as well as character fiction.

The Nowikowskis make frequent visits to Ontario, Canada — especially the wine country.  The visit to Niagara Falls was the first of many pleasant trips to Niagara and other parts of southern Ontario, a family tradition that will, doubtless, continue.”

Back to As Falls Niagara

Biography of Laryalee Fraser

Lee Fraser

August 22nd 1940 – October 16th 2013

Headshot of Laryalee Fraser
Laryalee Fraser

On October 16th, Lee (Laryalee) Fraser passed away peacefully at Bastion Place at the age of 73.

In the seventies and eighties, Lee was a reporter and photographer for various newspapers throughout the area, including the Kamloops News and the Shuswap Market.

She then became a member of Chase Village Council for nine years,
including three years as mayor, 1993 to 1996.

She enjoyed volunteering for various causes, loved gardening, and for
several years she wrote poetry under the pen-name Laryalee Fraser. Her online friends know her as Lary. Click here to see her website, Along Poetry Creek.

See Laryalee’s poem Secrets of Niagara Falls

Adelaide Crapsey Biography

adelaide biography
Adelaide Crapsey – early 1900s

adelaide biography
Adelaide Crapsey was born on September 9, 1878 in Brooklyn, New York. She was the third daughter of Episcopalian Rev. Algernon Sidney Crapsey and Adelaide Trowbridge Crapsey. She was an honours student at Vassar College, and then became a teacher. She contracted tuberculosis somewhere around 1903, and died on October 8, 1914.

She had been working on a study of metrics that proved too exhausting for her to continue after the onset of her illness, and so she concentrated on poetry. She is known as the inventor of the cinquain – a poem of 5 short lines of unequal length, of which Niagara is one. Her poems were published posthumously.

See her poem Niagara, Seen on a Night in November

About The Cinquain

Closely related to the Japanese hokku is a little form invented by Adelaide Crapsey. She called it a cinquain.  Verse published after her death contains twenty-eight poems in this pattern. They too are exquisite little atmosphere poems. They suggest, as do the Japanese poems, the feeling of things and circumstances. Absence of rhyme gives them the same elusive charm. The scheme is five iambic lines arranged one foot on the first line, two feet on the second, three on the third,  four on the fourth and one on the fifth. Substitutions frequently vary the music.

As an expression of the frail inventor’s spirit, the cinquain form has special poignancy. Miss Crapsey was a victim of tuberculosis. She wrote most of the poetry which we have today at Saranac*. In fact she gathered her poems together as her memorial.

Her pattern inspired young versifiers. When their first experiments appeared in print a reader remarked that they irritated her. “They promise so much,” she complained, “touch the feelings and then leave one nowhere to think it all out for one’s self!” That is exactly what Japanese poetry and cinquains are intended to do: they “tease one out of thought’ as Keats says it.

About the Cinquain From:  Wrinn, Mary J. J.  The Hollow Reed.  New York: Harper & Brothers, 1935

*Adirondack Cottage Sanatorium, later the Trudeau Sanatorium, in Saranac Lake, New York.