Resignation to the Approaching Period of Decline and Decay by James Melloy

melloy
The page from The Album of Bradt Family Hair with this poem pasted on it 
Courtesy of Brock University Archives & Special Collections

Days of my youth, ye have glided away ;
Hairs of my youth, ye are frosted and gray ;
Eyes of my youth, your keen sight is no more ;
Cheeks of my youth, ye are furrowed all o’er ;
Strength of my youth, all your vigor is gone ;
Thoughts of my youth, your gay visions are flown.

Days of my youth, I wish not your recall ;
Hairs of my youth, I’m content ye should fall ;
Eyes of my youth, ye much evil have seen ;
Cheeks of my youth, bathed in tears have ye been ;
Thoughts of my youth, ye have led me astray ;
Strength of my youth, why lament your decay ?

Days of my age, ye will shortly be past ;
Pains of my age, yet a while can ye last ;
Joys of my age, in true wisdom delight ;
Eyes of my age, be religion your light ;
Thoughts of my age, dread ye not the cold sod ;
Hopes of my age, be ye fixed on your God.


This poem is from a newspaper clipping dated December 8, 1893, pasted into The Bradt Family Hair Album in the Brock University Archives. The Bradt family were United Empire Loyalists who settled in Niagara-on-the-Lake and the St. Catharines area. 

Above the poem is written:

“A Relic of 1812

The following beautiful lines were among the relics left by Mrs. Susan Dunn, (wife of William Dunn, J.P., late of the township of Wainfleet, and county of Welland, Ont.) and second eldest daughter of the late David Price, who for many years held the position of secretary of the government stores at Fort George, Niagara.”

Beneath the poem is written:

“James Melloy,
Conductor of King’s Stores, &c., &c., &c.

This is for the amiable the Misses Price to learn by heart, which will give great pleasure and joy to their devoted and very humble servant,

James Melloy,
Fort George, at Head Quarters, Oct. 29th, 1812” 

Another poem that might be of interest is Lines Written for a Lady’s Hair Album, at Niagara by M.F. Bigney. Bigney’s poem is not in the Bradt album.

Read the article Hairy Memories: Hair albums used braided hair to create memories by James Rada, Jr.

 

 

Under the Falls by James Penha

under
James Penha and His Husband, Ferdy, Shortly After Their Wedding Ceremony, on the Maid of the Mist Boat in Front of the American Falls
Image courtesy of James Penha

 

My memories begin with the cascade
of tears at Niagara Falls as I screamed
NO when my father led us to board
the boat he said would be sailing
“under the Falls.” Under the Falls,
he said. Distinctly Under the Falls.
Not near, not close to, but under.
What three-year-old would not weep
uncontrollably, unstoppingly, until 
assured there would be no boat ride
that day or the next. Seventy years 
later, right after marrying his husband
at Niagara Falls City Hall, the old boy
kissed his mate on The Maid of the Mist 
as it carried them crying and laughing
quite safely not quite under the Falls.


Source: The author, 2022

Expat New Yorker James Penha (he/him🌈) has lived for the past three decades in Indonesia. Nominated for Pushcart Prizes in fiction and poetry, his work is widely published in journals and anthologies. His newest chapbook of poems, American Daguerreotypes, is available for Kindle. His essays have appeared in The New York Daily News and The New York Times. Penha edits The New Verse News, an online journal of current-events poetry. Bluesky: @jamespenha.bsky.social

Niagara Falls: A Poem by Jim Daniels

 

daniels
Clifton Hill, 1977
Photo by Ron Mottola
Ripley’s Museum on the left
Image courtesy of Niagara Falls Public Library


Niagara Falls
is a long poem of 700 lines where three stories, growing up Catholic in the industrial North, a honeymoon to Niagara Falls and a pilgrimage to Assissi, Italy, are interwoven in a master work of fractured narration. The language is relaxed and upbeat where metaphysical concerns meet, head on.

 

Excerpt from Niagara Falls (p. 8-9):

25 years ago, here,
on a rainy camping trip
my father splurged on
Ripley’s Believe It
Or Not Museum where I stared
at the shrunken head.
I bought a postcard:
The Hair continues to grow.
I still have it: long beaded threads
hang from the nose like a rosary.


Source: Jim Daniels. Niagara Falls. Easthampton, MA: Adastra Press, 1994

Read about Jim Daniels

A Ballad For Brave Women by Charles Mair

mair
Monument and bust of Laura Secord, heroine of Battle of Beaver Dam, Beaver Dam, Ontario, Canada, stereograph, 1908
Image courtesy of the Library of Congress.

A STORY worth telling, our annals afford,
’Tis the wonderful journey of Laura Secord!
Her poor crippled spouse hobbled home
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡With the news
That Bœrstler was nigh ! “Not a minute to lose,
Not an instant,” said Laura, “for stoppage or pause—
I must hurry and warn our brave troops at Decaws.”
“What ! you !” said her husband “to famish and tire !”
“Yes, me !” said brave Laura, her bosom on fire.
“And how will you pass the gruff sentry ?” said he,
“Who is posted so near us ?”

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡“Just wait till you see ;
The foe is approaching, and means to surprise
Our troops, as you tell me. Oh, husband, there flies
No dove with a message so needful as this—
I’ll take it, I’ll bear it, good bye, with a kiss.”
Then a biscuit she ate, tucked her skirts well about,
And a bucket she slung on each arm, and went out

’Twas the bright blush of dawn, when the stars melt from sight,
Dissolved by its breath like a dream of the night ;
When heaven seems opening on man and his pain,
Ere the rude day strengthens, and shuts it again.
But Laura had eyes for her duty alone—
She marked not the glow and the gloom that were thrown
By the nurslings of morn, by the cloud-lands at rest,
By the spells of the East, and the weirds of the West.  
Behind was the foe, full of craft and of guile ;
Before her, a long day of travel and toil.
“No time this for gazing,” said Laura, as near
To the sentry she drew.

‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡“Halt ! you cannot pass here.”
“I cannot pass here ! Why sirrah you drowse,
Are you blind ? Don’t you see I am off to my cows.”
“Well, well you can go.” So she wended her way
To the pasture’s lone side, where the farthest cow lay,
Got her up, caught a teat, and with pail at her knees,
Made her budge, inch by inch, till she drew by degrees
To the edge of the forest. “I’ve hoaxed, on my word,
Both you and the sentry,” said Laura Secord.

With a lingering look at her home, then away
She sped through the wild wood—a wilderness gray—
Nature’s privacy, haunt of a virgin sublime
And the mother who bore her, as ancient as Time ;
Where the linden had space for its fans and its flowers,
The balsam its tents, and the cedar its bowers ;
Where the lord of the forest, the oak, had its realm,
The ash its domain, and its kingdom the elm ;
Where the pine bowed its antlers in tempests, and gave
To the ocean of leaves the wild dash of the wave,
And the mystical hemlock—The forest’s high-priest—
Hung its weird, raking, top-gallant branch to the east.

And denser and deeper the solitude grew,
The underwood thickened, and drenched her with dew ;
She tripped over moss-covered logs, fell, arose,
Sped, and stumbled again by the hour, till her clothes
Were rent by the branches, and thorns, and her feet
Grew tender and way-worn and blistered with heat.
And on, ever on, through the forest she passed,
Her soul in her task, but each pulse beating fast,
For shadowy forms seemed to flit from the glades
And beckon her into their limitless shades :
And mystical sounds—in the forest alone,
Ah! who has not heard them ?—the voices, the moan,
Or the sigh of mute nature, which sinks on the ear,
And fills us with sadness or thrills us with fear ?
And who, lone and lost, in the wilderness deep,
Has not felt the strange fancies, the tremors which creep,
And assemble within, till the heart ’gins to fail,
The courage to flinch, and the cheeks to grow pale,
’Midst the shadows which mantle the spirit that broods
In the sombre, the deep haunted heart of the woods ?

She stopped—it was noonday. The wilds she espied
Seemed solitudes numberless. “Help me !” she cried ;
Her piteous lips parched with thirst, and her eyes
Strained with gazing. The sun in his infinite skies
Looked down on no creature more hapless than she,
For woman is woman where’er she may be.
For a moment she faltered, then came to her side
The heroine’s spirit—the Angel of Pride.
One moment she faltered. Beware ! What is this ?
The coil of the serpent ! the rattlesnake’s hiss !
One moment, then onward, What sounds far and near ?
The howl of the wolf, yet she turned not in fear
Nor bent from her course, till her eye caught a gleam
From the woods of a meadow through which flowed a stream,
Pure and sweet with the savour of leaf and of flower.
By the night dew distilled, and the soft forest shower ;
Pure and cold as its spring in the rock crystalline,
Whence it gurgled and gushed ’twixt the roots of the pine.

And blessed above bliss is the pleasure of thirst,
Where there’s water to quench it ; for pleasure is nursed
In the cradle of pain, and twin marvels are they
Whose inter-dependence is born with our clay.
Yes, blessed is water, and blessed is thirst,  
Where there’s water to quench it ; but this is the worst
Of this life, that we reck not the blessings God sends,
Till denied them. But Laura, who felt she had friends
In heaven as well as on earth, knew to thank
The giver of all things, and gratefully drank.

Once more on the pathway, through swamp and through mire,
Through covert and thicket, through bramble and brier,
She toiled to the highway, then over the hill,
And down the deep valley, and past the new mill,
And through the next woods, till, at sunset, she came
To the first British picket and murmured her name ;
Thence, guarded by Indians, footsore and pale
She was led to Fitzgibbon, and told him her tale.

For a moment her reason forsook her ; she raved,
She laughed, and she cried—“They are saved, they are saved !”
Then her senses returned, and with thanks loud and deep
Sounding sweetly around her she sank into sleep.
And Bœrstler came up, but his movements were known,
His force was surrounded, his scheme was o’erthrown
By a woman’s devotion—on stone be’t engraved—
The foeman was beaten and Burlington saved.

Ah ! faithful to death were our women of yore !
Have they fled with the past to be heard of no more ?
No, no ! Though this laurelled one sleeps in the grave,
We have maidens as true, we have matrons as brave ;
And should Canada ever be forced to the test—
To spend for our country the blood of her best !
When her sons lift the linstock and brandish the sword,
Her daughters will think of brave Laura Secord !


Source: Raise the Flag and Other Patriotic Canadian Songs and Poems. Toronto: Rose Publishing, 1891

Mair originally published this poem possibly in 1888 – the following was written in Grip, July 7, 1888:

The heroic conduct of Mrs. Laura Secord in apprising the British of the contemplated attack of Bœrstler’s forces in 1812, is once again made the subject of a poem, and this time the same hand that gave in Tecumseh, Vide the Week of June 21st. A first rate piece of work by a Canadian author is something uncommon enough to evoke enthusiasm, and the bard of Price Albert rarely fails to “do us proud.” After reading his latest we unanimously shout “Give us Mair, Charles, give us Mair!”

Read about Charles Mair

 

 

The Niagara Falls of You by Doug Smith

smith
Couple Looking at Niagara Falls, 1939
Image courtesy of Niagara Falls Public Library

I’ve heard people who live in Niagara Falls say
They never see it unless company visits
Its epic grandeur amounted to so much old news
Been there, done that

Sometimes I sit next to you
Take for granted the everyday moments
of household sharing,
of friend and family gossiping,
of intimacy in all its mutating forms

Today, you bring me chicken tenders
Another form of intimacy
Just another Thursday
and I am reminded
of the rustling cataracts of Niagara
next to me everyday


Source: All Poetry, 6/9/21

See Doug Smith ’s All Poetry site (Darknightofthesoul)

Doug Smith is a former Niagara Falls, NY resident