This is a 96 page, book-length poem about John, from Rhode Island, who takes a trip first to New York City and then to Niagara Falls by boat and train. His romantic encounters are described, as well as the adventures he has in Niagara Falls with hackmen, swindlers, and hustlers. At the same time, he is impressed with the natural beauty of the Falls.
Read the full poem at Hathi Trust
Citation: Barlow, John R. John’s Trip, or a Visit to Niagara. A Serio-Comic Poem in Four Cantos. Niagara Falls: William Pool, Printer, 1871
These verses composed on one ofthe brightest of men,
Can never return on earth again.
No man like him before ever swam from shore to shore:
This was done by him as hundreds have seen
From Dover in Kent to Calais Green.
He left his wife and children dear,
His lot was cast this proves so clear.
Could see no danger before his eyes, Death took him quickly by surprise.
No doubt he thought himself clever,
Could never have thought to breathe his last in Niagara river—
Where no man on earth could ever swim
Across this whirlpool, never, never.
This brave young man, he caused no strife,
Cut down in the prime of life, left behind him a widowed wife.
‘Tis not for man to frown or brawl,
His lot was cast in Niagara Falls.
I saw his likeness in Marshall’s place,
Plain to be seen without disgrace.
Those men in his company that day were clever,
Could not see his danger in Niagara river.
It was not to be, the young and fast,
This was laid out for him to breathe his last.
As I have often said, and say again,
I am sorry to hear of an untimely end.
‘Tis time for us all to prepare for fear of this dreadful snare;
As this roaring lion is around every day,
Our precious souls for to betray.
Let us cast all our fears on Christ, and on his word rely—
We can all live happy while on this earth,
And in heaven when we die.
Composed by
James Gay, The Master of all Poets this day.
Royal City of Guelph, East Market Square.
N.B.—Your poet is about to visit these falls,
Where CaptainWebb received his death call.
Source: James Gay. Canada’s Poet. London: Field & Tuer, [1884]
James Gay was the self-styled Poet Laureate of Canada and Master of All Poets
Toll for Sam Patch! Sam Patch, who jumps no more, ‡‡This or the world to come. Sam Patch is dead!
The vulgar pathway to the unknown shore ‡‡Of dark futurity, he would not tread. ‡‡No friends stood sorrowing round his dying bed;
Nor with decorous wo, sedately stepp’d ‡‡Behind his corpse, and tears by retail shed;—
The mighty river, as it onward swept,
In one great wholesale sob, his body drowned and kept.
Toll for Sam Patch! he scorned the common way ‡‡That leads to fame, up heights of rough ascent,
And having heard Pope and Longinus say, ‡‡That some great men had risen to falls, he went ‡‡And jumped, where wild Passaic’s waves had rent
The antique rocks; — the air free passage gave,— ‡‡And graciously the liquid element
Upbore him, like some sea-god on its wave;
And all the people said that Sam was very brave.
Fame, the clear spirit that doth to heaven upraise ‡‡Led Sam to dive into what Byron calls
The hell of waters. For the sake of praise, ‡‡He wooed the bathos down great water-falls; ‡‡The dizzy precipice, which the eye appals
Of travellers for pleasure, Samuel found ‡‡Pleasant, as are to women lighted halls,
Crammed full of fools and fiddles; to the sound
Of the eternal roar, he timed his desperate bound.
Sam was a fool. But the large world of such, ‡‡Has thousands — better taught, alike absurd,
And less sublime. Of fame he soon got much, ‡‡Where distant cataracts spout, of him men heard, ‡‡Alas for Sam! Had he aright preferred
The kindly element, to which he gave ‡‡Himself so fearlessly, we had not heard
That it was now his winding-sheet and grave,
Nor sung, ‘twixt tears and smiles, our requiem for the brave.
He soon got drunk, with rum and with renown, ‡‡As many others in high places do;—
Whose fall is like Sam’s last — for down and down ‡‡By one mad impulse driven, they flounder through ‡‡The gulf that keeps the future from our view,
And then are found not. May they rest in peace! ‡‡We heave the sigh to human frailty due—
And shall not Sam have his? The muse shall cease
To keep the heroic roll, which she began in Greece—
Robert C. Sands
With demigods, who went to the Black Sea ‡‡For wool (and if the best accounts be straight,
Came back, in negro phraseology, ‡‡With the same wool each upon his pate), ‡‡In which she chronicled the deathless fate
Of him who jumped into the perilous ditch ‡‡Left by Rome’s street commissioners, in a state
Which made it dangerous, and by jumping which
He made himself renowned, and the contractors rich—
I say, the muse shall quite forget to sound ‡‡The chord whose music is undying, if
She do not strike it when Sam Patch is drowned. ‡‡Leander dived for love. Leucadia’s cliff ‡‡The Lesbian Sappho leapt from in a miff,
To punish Phaon; Icarus went dead, ‡‡Because the wax did not continue stiff;
And, had he minded what his father said,
He had not given a name unto his watery bed.
And Helle’s case was all an accident, ‡‡As everybody knows. Why sing of these?
Nor would I rank with Sam that man who went ‡‡Down into Aetna’s womb — Empedocles, ‡‡I think he called himself. Themselves to please,
Or else unwillingly, they made their springs; ‡‡For glory in the abstract, Sam made his,
To prove to all men, commons, lords, and kings,
That “some things may be done, as well as other things.”
I will not be fatigued, by citing more ‡‡Who jump’d of old, by hazard or design,
Nor plague the weary ghosts of boyish lore, ‡‡Vulcan, Apollo, Phaeton — in fine ‡‡All Tooke’s Pantheon. Yet they grew divine
By their long tumbles; and if we can match ‡‡Their hierarchy, shall we not entwine
One wreath? Who ever came “up to the scratch,”
And for so little, jumped so bravely as Sam Patch?
To long conclusions many men have jumped ‡‡In logic, and the safer course they took;
By any other, they would have been stumped, ‡‡Unable to argue, or to quote a book, ‡‡And quite dumb-founded, which they cannot brook;
They break no bones, and suffer no contusion, ‡‡Hiding their woful fall, by hook and crook,
In slang and gibberish, sputtering and confusion;
But that was not the way Sam came to his conclusion.
He jumped in person. Death or Victory ‡‡Was his device, “and there was no mistake,”
Except his last; and then he did but die, ‡‡A blunder which the wisest men will make. ‡‡Aloft, where mighty floods the mountains break,
To stand, the target of ten thousand eyes, ‡‡And down into the coil and water-quake,
To leap, like Maia’s offspring, from the skies—
For this all vulgar flights he ventured to despise.
And while Niagara prolongs its thunder, ‡‡Though still the rock primaeval disappears,
And nations change their bounds — the theme of wonder ‡‡Shall Sam go down the cataract of long years; ‡‡And if there be sublimity in tears,
Those shall be precious which the adventurer shed ‡‡When his frail star gave way, and waked his fears
Lest, by the ungenerous crowd it might be said,
That he was all a hoax, or that his pluck had fled.
Who would compare the maudlin Alexander, ‡‡Blubbering, because he had no job in hand,
Acting the hypocrite, or else the gander, ‡‡With Sam, whose grief we all can understand? ‡‡His crying was not womanish, nor plann’d
For exhibition; but his heart o’erswelled ‡‡With its own agony, when he the grand
Natural arrangements for a jump beheld,
And measuring the cascade, found not his courage quelled.
His last great failure set the final seal ‡‡Unto the record Time shall never tear,
While bravery has its honour, — while men feel ‡‡The holy natural sympathies which are ‡‡First, last, and mightiest in the bosom. Where
The tortured tides of Genessee descend, ‡‡He came — his only intimate a bear,—
(We know not that he had another friend),
The martyr of renown, his wayward course to end.
The fiend that from the infernal rivers stole ‡‡Hell-draughts for man, too much tormented him,
With nerves unstrung, but steadfast in his soul, ‡‡He stood upon the salient current’s brim; ‡‡His head was giddy, and his sight was dim;
And then he knew this leap would be his last,— ‡‡Saw air, and earth, and water wildly swim,
With eyes of many multitudes, dense and vast,
That stared in mockery; none a look of kindness cast.
Beat down, in the huge amphitheatre ‡‡“I see before me the gladiator lie,”
And tier on tier, the myriads waiting there ‡‡The bow of grace, without one pitying eye— ‡‡He was a slave — a captive hired to die,— Sam was born free as Caesar; and he might ‡‡The hopeless issue have refused to try;
No! with true leap, but soon with faltering flight,—
“Deep in the roaring gulf, he plunged to endless night.”
But, ere he leapt, he begged of those who made ‡‡Money by his dread venture, that if he
Should perish, such collection should be paid ‡‡As might be picked up from the “company” ‡‡To his Mother. This, his last request, shall be,—
Tho’ she who bore him ne’er his fate should know,— ‡‡An iris, glittering o’er his memory—
When all the streams have worn their barriers low,
And, by the sea drunk up, for ever cease to flow.
On him who chooses to jump down cataracts, ‡‡Why should the sternest moralist be severe?
Judge not the dead by prejudice — but facts, ‡‡Such as in strictest evidence appear. ‡‡Else were the laurels of all ages sere.
Give to the brave, who have pass’d the final goal,— ‡‡The gates that ope not back, — the generous tear;
And let the muse’s clerk upon her scroll,
In coarse, but honest verse, make up the judgment roll.
Therefore it is considered, that Sam Patch ‡‡Shall never be forgot in prose or rhyme;
His name shall be a portion in the batch ‡‡Of the heroic dough, which baking Time ‡‡Kneads for consuming ages — and the chime
Of Fame’s old bells, long as they truly ring, ‡‡Shall tell of him; he dived for the sublime,
And found it. Thou, who with the eagle’s wing
Being a goose, would’st fly, — dream not of such a thing!
Source: Robert Charles Sands. The Writings of Robert C. Sands: In Prose and Verse, Volume 2. Harper, 1834
Sam Patch jumped from a ladder at the base of Goat Island twice in the fall of 1829, and was killed later that year jumping at the Genessee Falls when he was drunk. Read more about Sam Patch here
Although no poem or painting is included here, this book of poetry by Eric Gansworth is an important addition to the literature of Niagara. Gansworth, who was raised on the Tuscarora Indian Reservation in Niagara County, New York, just outside Niagara Falls, still resides in the area and teaches in Buffalo, NY.
Publisher supplied:
“Nickel Eclipse is a merging of personal and cultural history. Structured in part like the alternating colored beads on a wampum belt, patterns emerge from this exploration of contemporary life on an eastern Indian reservation and the sometimes tenuous persistence of a culture after centuries of survival within another, more dominant, culture. The poems, while highly personalized, reflect the tension of speakers surviving within-though never fully of-that larger culture, where lives are formed and meaning defined by their inherent separateness.
Gansworth’s paintings complement the poems, using the metaphor of the cycle of moons identified in the traditional Haudenosaunee (Iroquois Confederacy) culture’s calendar. These paintings of the different lunar phases serve to organize the poems around a common image, breaking them into sections through the use of an eclipse. Additionally, the relationships indigenous communities have had with the United States-from thriving to near extinction to eventual re- emergence-are symbolized in the progression of that eclipse across the moon.
Symbols common to the culture appear throughout the cycles: the Three Sisters (Corn, Beans, and Squash), Strawberries, and Green Corn, from the ceremonies named for them, and more consistently, wampum beads-within which Haudenosaunee culture is iconographically documented-appear in various incarnations, from the earliest shell groupings, through isolated shaped beads, small strings, and full- belt formations.”
Run to your nearest library or book store to read this remarkable collection by Eric Gansworth.
