Niagara Falls, Where the Great Lakes Leap to the Sea. Travel by train by Fredric C. Madan, 1925 Image courtesy of The Library of Congress
Ye giant waves that from yon dizzy height,
So wildly plunge to seek th’ abyss below,
In whiring eddies raging as ye flow,
And reeling onwards in thy giddy flight,
How beauteous are ye in your majesty !
Dashing from rock to rock the foaming spray,
Waking eternal musick on your way!
And so thou’st done from all eternity ;
And yet, why dost such beauteous charms bestow
On scenes like these? so rude, so rough, so wild,
Where rocks on rocks together, careless piled,
Oppose your current as you wildly go.
Why seek ye not some smoother placid way,
Thro’ some sweet grove, or thro’ some flow’ry bed,
Who ‘d lead you on your pleasing path to tread,
To your far bourne, with milder, gentler sway ?
But ah! ye still go madly roaring on,
But never wearied with your stern delight,
So reckless, heedless, in your spirit’s might,
Ye give not ear unto my plaintive tone.
Source: The Craftsman, March 3, 1829
The poem is signed A.H.W. A.H.W. is believed to be Augustine Henry Wald, who is known to have written for The Craftsman.
The Casket of George Stathakis, After His Fatal Attempt to go Over Niagara Falls in a Barrel, July 5, 1930. Photo courtesy of Niagara Falls Public Library
Jumpers and boaters and fame-hungry fools
end up in the gorge, in the eddies and pools,
or spattered on stone, or locked in the ice.
There’s no way to die here the sane would call nice.
Source: T. W. Kriner, 2025. First published in T.W. Kriner. The Red Pill and Other Poems. Buffalo: J & J Publishing, 2026.
T. W. Kriner is the author of Journeys to the Brink of Doom (1997), In the Mad Water (1999), Twelve Dozen Four-by-Fours (2025), and The Call of Tawiskaro (2025). He lives in a Western New York swamp with his wife and two cats.
Kriner says:
About three years ago I began writing what I call four-by-four poems: four lines with four beats per line, usually with a pair of rhyming couplets. The challenge for me was to do at least one or more of the following in each poem: tell a story; paint a picture; evoke or share a memory; express a political opinion; convey my view on a particular subject; do something else while trying to get a laugh. I’ve recently posted a fair number of them at All Poetry .com, if you’d care to sample.
I too am a waterfall
with something stuck in my throat
the song that I saved
for the middle of my life.
There is no way out
everything tastes like a nightmare
and I cannot see clearly through so much debris…
Amongst so many fallen branches
I wish I could see farther
with no boundary to split up my happiness.
If everything is simple
why do you hide behind bubbles
that rise opaquely over
your true form, waterfall?
Or must I wait
for a steamboat to tear through
such webs woven with weariness?
We move in a dreamlike dimension
in a thick intensity we tame our fears
and we go somersaulting through debts incurred centuries ago
and now we finally settle
jumping off with you, waterfall
to the mist’s home
where no authority lurks
where there are no tickets for speeding
nor humiliation for having been born on different shores.
The sweep majestie of the river’s brow,
Which far above extends from shore to shore—
(It glows in memory’s magic mirror now,)
Heaven’s bright blue arch rising behind and o’er—
The Lakesprung torrents—as with ceaseless roar,
Over the everlasting rocks they roll,
Forever to the dizzy leap before—
All rush at once upon the startled soul,
At the first transient glance your eye throws o’er the whole.
But sight is mingled at the heart with sound—
The loud, the deafening thunder of the fall,
Which seems at first all feeling to confound,
The brain to madden and the breast appal,
And spread annihilation over all !—
The dazzling whiteness of the sheeted foam,
Which to the eye seems like a snowbuilt wall,
On which is reared a bright Cerulean dome,
That Poets well might take for fancy’s airy home ;—
The clouds of rising and dissolving spray,
Which wave and wanton in the gusty wind,
On which the sunbeams hold their magic play,
Painting gay rainbows of each glorious kind,
That change their shape and colour, like the mind
Of soft and ductile youth, with every scene,
Of light and shade—now swelling unconfin’d,
In matchless beauty with resplendent sheen—
Now bursting—leaving but the black abyss between ;—
The dark and dripping cliffs which overhead,
Rise like the warbuilt towers of ancient time,
Breathing defiance, and inspiring dread,
Which echo back with emphasis sublime,
The cataract’s awful sounds, in measur’d chime,
Rolling along the deep and distant pass,
Until at length the bloodstain’d heights they climb,
Where swell’d the roar of battle—when, alas !
Our country’s sons and foes fell in one mingled mass ;—
And the still darker torrent at your feet,
Whose greenwreath’d floods boil up from the abyss,
To whose unfathom’d depths, in one broad sheet,
They thundering fell—whose tides with horrid hiss,
Like venom’d serpents vast, do seem, I wis,
Writhing in pain, and madly rushing by,
Towards far Ontario’s bed : —All—all, of this,
Must have struck on the heart—the ear—the eye—
To wake the burning soul of its sublimity.
O ! I have thought—and thought did well beseem
A scene so fraught with wondrous majesty—
If with such wonders His creation teem,
What must the glory of the Author be !
With what deep reverence and humility,
Ought we to bow before His mighty hand !—
Lord of Creation and Eternity !
Shall human pride not quail at His command ? The thunder of His power, O who can understand !
Source: TheAmerican Baptist Magazine, vol. V, no. 12, December 1825
Falls of Niagara: A Sketch is simply signed “Newton.” Newton is probably John Newton Brown, ordained as a Baptist minister in 1824, and who later became the editor of the American Baptist Publication Society in 1848. John Newton Brown wrote another poem about Niagara Falls, The Falls of Niagara
Source: Henry Harrison. Infunitive and Other Moods, by Henry Harrison : With Twenty Poems, by Vaughn G. Hannington. New York, Melomime Publications, Inc. [c1923]
According to the prologue, Henry Harrison was 19 years old when this book was published. He refers to Hannington as “young Mr. Hannington”