I too am a waterfall
with something stuck in my throat
the song that I saved
for the middle of my life.
There is no way out
everything tastes like a nightmare
and I cannot see clearly through so much debris…
Amongst so many fallen branches
I wish I could see farther
with no boundary to split up my happiness.
If everything is simple
why do you hide behind bubbles
that rise opaquely over
your true form, waterfall?
Or must I wait
for a steamboat to tear through
such webs woven with weariness?
We move in a dreamlike dimension
in a thick intensity we tame our fears
and we go somersaulting through debts incurred centuries ago
and now we finally settle
jumping off with you, waterfall
to the mist’s home
where no authority lurks
where there are no tickets for speeding
nor humiliation for having been born on different shores.
The sweep majestie of the river’s brow,
Which far above extends from shore to shore—
(It glows in memory’s magic mirror now,)
Heaven’s bright blue arch rising behind and o’er—
The Lakesprung torrents—as with ceaseless roar,
Over the everlasting rocks they roll,
Forever to the dizzy leap before—
All rush at once upon the startled soul,
At the first transient glance your eye throws o’er the whole.
But sight is mingled at the heart with sound—
The loud, the deafening thunder of the fall,
Which seems at first all feeling to confound,
The brain to madden and the breast appal,
And spread annihilation over all !—
The dazzling whiteness of the sheeted foam,
Which to the eye seems like a snowbuilt wall,
On which is reared a bright Cerulean dome,
That Poets well might take for fancy’s airy home ;—
The clouds of rising and dissolving spray,
Which wave and wanton in the gusty wind,
On which the sunbeams hold their magic play,
Painting gay rainbows of each glorious kind,
That change their shape and colour, like the mind
Of soft and ductile youth, with every scene,
Of light and shade—now swelling unconfin’d,
In matchless beauty with resplendent sheen—
Now bursting—leaving but the black abyss between ;—
The dark and dripping cliffs which overhead,
Rise like the warbuilt towers of ancient time,
Breathing defiance, and inspiring dread,
Which echo back with emphasis sublime,
The cataract’s awful sounds, in measur’d chime,
Rolling along the deep and distant pass,
Until at length the bloodstain’d heights they climb,
Where swell’d the roar of battle—when, alas !
Our country’s sons and foes fell in one mingled mass ;—
And the still darker torrent at your feet,
Whose greenwreath’d floods boil up from the abyss,
To whose unfathom’d depths, in one broad sheet,
They thundering fell—whose tides with horrid hiss,
Like venom’d serpents vast, do seem, I wis,
Writhing in pain, and madly rushing by,
Towards far Ontario’s bed : —All—all, of this,
Must have struck on the heart—the ear—the eye—
To wake the burning soul of its sublimity.
O ! I have thought—and thought did well beseem
A scene so fraught with wondrous majesty—
If with such wonders His creation teem,
What must the glory of the Author be !
With what deep reverence and humility,
Ought we to bow before His mighty hand !—
Lord of Creation and Eternity !
Shall human pride not quail at His command ? The thunder of His power, O who can understand !
Source: TheAmerican Baptist Magazine, vol. V, no. 12, December 1825
Falls of Niagara: A Sketch is simply signed “Newton.” Newton is probably John Newton Brown, ordained as a Baptist minister in 1824, and who later became the editor of the American Baptist Publication Society in 1848. John Newton Brown wrote another poem about Niagara Falls, The Falls of Niagara
Source: Henry Harrison. Infunitive and Other Moods, by Henry Harrison : With Twenty Poems, by Vaughn G. Hannington. New York, Melomime Publications, Inc. [c1923]
According to the prologue, Henry Harrison was 19 years old when this book was published. He refers to Hannington as “young Mr. Hannington”
—No, no ! Not tonight, my Friend,
I may not, cannot go with you tonight.
And think not that I love you any less
Because this now I’d rather be alone.
My heart is strangely torn ; unwonted thoughts
Have so infused themselves into my mind
That altogether there is wrought in me
A sort of hapless mood, whose phantom power
Born perhaps of my own fantasies
Has ta’en me. By its subtle spell
I’m wooed and changed from what’s my natural self.
I am so possessed I can but wish
For nothing else save this and solitude.
If in companionship I sought relief
Yours indeed would be the first I’d seek.
There is none other whom I so esteem,
None who quite so perfect understands.
Your presence always is a soothing balm,
—Ne’er failing me when troubled. But tonight,
Forgive me, Friend—I’d rather be alone.
Leave me, let me with myself commune.
Presently if no change come, I shall go
Stand in the shadowed gorge, or where the moon
Throws her silver on the rippling stream,
List to the sounding cataract’s thundering fall,
Or hark to spirit voices in the wind.
For methinks sometimes that these strange moods
Are heaven-sent us by the jealous God
Who’d thus remind us that no human love
Can fully satisfy the longing heart :
Perhaps an intimation sent to souls
That he would speak somewhat, or nearer draw.
Therefore I’ll to Him. Talking waters, stars,
The moon and whispering trees shall make me wise
In what it is He’d have my spirit know.
And Nature singing from the earth and sky
Shall fill me with such peace, that in the morn
I’ll be the gay glad self you’ve always known.
Urge me no further, now you understand.
A nobler friend than you none ever knew—
But not this time. Tonight I’ll be alone ;
And if from moonlit valley God should speak,
Or in the tumbling waters sound a call,
Or whisper in the sighing of the wind,
He’ll find me with an undivided heart
Patient waiting to hear ; but Friend,—alone.
Source: Kerlin, Robert T. Negro Poets and Their Poems. Washington: Associated Publishers, 1923
An abbreviated version of this poem (starting with the line “List to the sounding cataract’s thundering fall,”) was published in R. Nathaniel Dett. The Album of a Heart, 1911. View the 1911 version
The longer version of the poem was also published in Beatrice F. Wormley and Charles W. Carter An Anthology of Negro Poetry by Negroes and Others, 1937.
In the 1937 version:
“now” on line 4 has been changed to “night”
” changed” on line 11 has been changed to “charged”
the last lines
“Or in the tumbling waters sound a call,
Or whisper in the sighing of the wind,
He’ll find me with an undivided heart
Patient waiting to hear ; but Friend,—alone.”
has been changed to:
“Or in the tumbling waters of the wind.
He’ll find me with an undivided heart
Patient waiting to hear ; but Friend,—alone”
Niagara Falls by Karl Bodmer, 1830s Image courtesy of the Library of Congress
Niagara, farewell ! I have lingered with pleasure
Beside the white spray of thy glittering wave,
I have heard the wild notes of the fisherman’s measure,
And wandered, at eve, by the lone Indian grave.
‘Twill be long ere I visit thy loved scenes, enchanted,
And listen again to the wild torrent’s note,
Ere I stray by the ruins tradition has haunted,
Or hear musick’s strain o’er the cataract float.
Farewell to Niagara ! when far from its waters
I still shall remember the pleasant scenes past,
When the roseate smiles of Colombia’s daughters
Gave wings to the moments that hastened so fast.
I love thee when red with the beams of the morning,
I love thee when sparkling beneath the bright star ;
Thy voice in its thunder, so solemn and warning,
I’ll treasure in mem’ry when distant afar.
Farewell to Niagara ! its beauty and grandeur,
Its silver streams gushing beneath the bright moon,
All now are before me, enchanting in splendour,
They’ll fade from my glances, reluctant, too soon.
I love thee in every form thou present’st me,
In calm, and when wild tempests o’er thee play ;
I leave thee, I leave thee, and yet it repents me
To quit thy blue waters for many a day.
Source: The Craftsman, Volume First ; for 1829-30. Rochester: E.J. Roberts, 1829. At the head of the title: From the Boston Statesman