Twenty-Two Spans by Jatin Garg

Watch the video on ice monitoring and the ice boom 

Clip your vest before you touch the line.
Then look where your boots are.
A cable under strain moves faster than you.
If it jumps, I can’t pull you clear.

The report calls this Phase Three.
We call it taking the strings off the breakwall,
towing them out from Buffalo,
making the mouth of Erie ready for winter.

Most pontoons: thirty feet of sealed steel,
thirty inches through, black and blunt.
Nothing graceful about it.
In a west wind, don’t waste motion.

Raise the junction plate. Fasten the buoy barrel.
Water comes over the barge while you line up the three-inch pin.
Watch the tug, not the gulls.
When I say easy, ease.
Never stand inside the bight.

At the intake crib, thirty feet under, they read the lake.
We start at thirty-nine degrees,
or on December sixteenth if the lake stays warmer.
High wind and waves can still stop us.

You asked where Canada starts.
At the chart table I’ll show you after shift.
Here, the anchor cables are numbered,
the spans lettered A through V.
The power companies divide the invoice exactly.
The weather does not.

Don’t call it a dam.
Water goes under from the first day to the last.
The steel gives loose ice a place to gather,
to freeze into its own arch
instead of running down the Niagara
toward shoreline docks and the power intakes.

In a hard winter, a west wind can stack ice twelve feet.
The boom may sink. It is made for that.
Ice rides over. Pressure passes. The pontoons rise.
Write overtopped.
Engineering will ask whether it failed.

You think I repeat myself. I do.
My first year I stepped inside the bight.
Frank swore once, pulled me back by the collar,
then went on fastening shackles.
I don’t remember what he called me.
I remember both my hands.

At night a camera watches what we built.
Most winters nobody phones. That is a good winter.
Turbines keep turning. Shoreline docks stay put.
Twenty-two miles downstream, near the Falls,
less ice reaches the power intakes.

By spring we count what remains on eastern Erie,
wait for safe water, loosen the buoy barrels,
tow every scarred string up the Buffalo River
and pull it into dry storage.

At the last span I tell you, “Pull the pin.”
You look at your boots first.
Good.

Span A swings free, blunt nose toward the Niagara.
The current takes the slack.
You give it room.


Source: Jatin Garg, 2026.

This poem won an Honourable Mention in the Niagara Falls Poetry Project 25th Anniversary Poetry Competition. It will be published with all the other entrants in a print anthology to be published by Phylum Press. To reserve a copy of the anthology please email aporteus@niagarapoetry.ca. A companion volume exploring the poetry over 6 centuries will also soon be available, and may be reserved ahead of time.

Jatin Garg is a fiction writer and poet from India whose work explores relationships, identity, memory, and the quiet pressures of everyday life. Drawn to people, places, and the ways history lingers, he combines close observation with imagination to find something unfamiliar inside ordinary experience. 

Niagara Fell – 1848 by John Newmark

 

newmark
John Newmark
Courtesy of the author.

In 1848, on a day in March
Huge chunks of ice
Pierced Niagara’s head.
Downstream, the falls dried up.

Residents looked down –
The mighty thunder, silenced –
Then up to the sky, fearful.
News traveled slowly.

The churches were filled
As the fish died.
Tourists came from far
To walk across the bed.

When the ice dam cleared
Some must have felt foolish,
While others just waited
For their god’s next missive.


©2010 by John Newmark

Source: Medium January 27, 2023

Also published in John Newmark. Why We Should Not Read W.H. Auden. Lulu.com, 2014

John Newmark lives in St. Louis, Missouri with his wife and two children. An avid family historian, his 5th great grandfather, McGregory Vanevery, was one of the original settlers of Niagara, Ontario. He enjoys writing poetry about his ancestors, and the places they lived. Visit his website.

Read about the day Niagara Falls dried up

The Undertow by Sasha Steensen

steensen
A mountain of snow and Ice almost reaching the crest of the American Falls at Niagara Falls
Undated photo by Gisela Scholz.
Image courtesy of Niagara Falls Public Library

I am shown
a generosity

so muddied
at the muddy bottom

of a question I forget to ask
until it’s fished out

but bloated but
in the manner of a net

a web of causal connections
attached to its corners

gently moving over
the surface of the water

how come the road
couldn’t have stayed followed

by way of hollowed out
logs & paddles

made of pawpaw wood
rather than by the crows

alone to the moment
when the Monongahela

the Allegheny
the Ohio meet

I hate the underside
of an idea

but I like the underside
of grass that grows

underwater
and I’ve seen it from there

blossom
as if the water had suddenly

stopped
and then surged forth

from there
I can see a shoal

of tadpoles
drowning themselves

I hate the idea
of the Ohio

as a magic carpet
into the heart

of the continent
a great gift

of geography
a gleaming highway

carrying a tide
of settlement

and expansion but
I despise

the idea of the three rivers
as my family tree

their canals
tributaries & branches

meeting
& later the Mississippi

by its side
for miles

until along comes my
baby floating

in a basket down
the Colorado

I despise all such
undertows

and the fact that I’ve never
heard steamwhistles

or boatmen’s bugles
I’ve never traveled

aboard The Messenger
The Telegraph

The Gladiator
The Ohio Belle

or The Great Republic
nor have I put my foot

in the Ohio
anymore than you

and the Niagara
I abhor the Niagara

in winter the
difficult beauty

of its frozen falls
and all they’ve

come to represent.


Source: Steensen, Sasha, 2010, “The Undertow,” Academy of American Poet’s Daily Poetry Series,               http://www.poets.org/viewmedia.php/prmMID/21952

Also published in: Steensen, Sasha, 2014, House of Deer, Fence Books, 93.

View Sasha Steensen’s website

 

Niagara Beautiful by Samuel R. Cristelli

cristelli
The Ice Bridge at Niagara Falls, February 5, 2007
Photo by Andrew Porteus

Fine sprays, colored rainbows,
Rushing waters, winter snows.
Majestically she roars her might,
Niagara, a truly beautiful sight!

Hark! Let us lend an ear
To rumbling sounds that are so near
Recognize her music with pride,
To Niagara! a drink we’ll imbibe!

Breathlessly we watch on a cold winter’s night
When NIagara waters are frozen tight
Ice bridges are formed on waters now ice,
Figurines are molded, does that not suffice?

The stage is set and sounds are slight,
Niagara is silenced by winter’s might.
A command performance soon we’ll see,
As Niagara prepares to break herself free!

With a mighty roar, she blasts her authority
Her fury is unleashed, she’s in her glory
Ice bridges are broken and skirting away
Niagara beautiful has had her say!

The rumbling sounds are heard once more
As Niagara boasts her strength galore!
All is beautiful-so serene
Beautiful Niagara, really supreme!


Source: Samuel R. Cristelli (Dec 5,1921 – Jul 18,1997). The date this poem was written is unknown. Cristelli, a WWII veteran, worked as an electrician and he wrote this poem for the electrical shop newsletter.  When he retired he worked as a supervisor with The Regional Municipality of Niagara at the Pollution Control Plant. The poem was provided by the author’s daughter, Shelley.

Read about the 1912 tragedy on the ice bridge that took 3 lives when it unexpectedly broke up

cristelli

Niagara in Winter by Harvey Wendell

wendell
Cave of the Winds in Winter, Niagara Falls
Image courtesy of Niagara Falls Public Library

A Frozen poem ! Spray in crystals,
With which rock, shrub, tree, façade bristles !
A dream of beauty quite apart
From aught of painter’s, sculptor’s art ;
Spray rising from the torrent’s plunge
Makes each huge rock a marble sponge ;
Drops trickling from their dizzy height
Form rows of giant stalactite ;
Ice-forms of beauty, grandeur, grace,
Wreathing with gems fair Nature’s face.

Ice mountain rears its shimmering crest,
Fondly by winds and spray caressed ;
Adown its slope the sun-rays prance,
On its white summit sunbeams dance
With many an ardent, melting glance ;
the rapt beholder’s fancy sees
Pure Parian marble grown on trees,
Chiseled and modeled by the breeze ;
And while the waters roar and shout
The rainbow flings its ribbon out,
Like the adornment of a bride,
Hanging far down the mountain’s side.

One painter only ne’er grows old
Through summer’s heat and winter’s cold ;
One sculptor ne’er his skill has lost,
Unrivaled, grand, immortal Frost !
No other artist, unannoyed,
Could see, each year, his work destroyed ;
No other, with such patient cheer,
Would reproduce it year by year.


Source: Harvey Wendell. “Niagara in Winter,” Leslie’s Weekly Illustrated, March 24, 1898