Remembering Victoria Park by Evelyn M. Watson

watson remembering  

watson remembering
Gateway to Victoria Park, Niagara Falls, Canada. Courtesy of Niagara Falls Public Library

Let conversation seek the Beautiful —
Rhyming bird-wings, and that so-magic poise
Of nature’s flute-song, or cello music mellow,
Green-berried vines that edge a lapping pool
Where lily-stars are doubled, white and yellow :
And let me find the day’s own cadences —
Gay frocks, that flower upon a windy line,
That old-blue plate with cakes for tea: yes, these
Amenities that seem so wise and fine :
You see, my memory holds loveliness,
For I awoke among old forestries
Where trees were as endued with consciousness
Till, now, I find fresh grace when work is hard,
And learn to live the inner poetry. . . .
Of course, not as a known, exalted bard,
But from a spirit, tree-wise, lifted Thee !

Each season, now, there’s towering luxury
In “Ceremonial trips” among small hills :
About my place I plant, each year, some tree,
(Green foil for double-gold of daffodils) —
And, for each day, a ritual — some joy,
The crisp delight of this, so tiny lawn,
And curved flower-buds that well employ
Ecstatic tints from summer’s tenderest dawn ;

And yet it seems I scarcely paused until
I went afar for beauty — then I found
The very burgeoning from homey hill,
The self-same glory from my plot of ground;
From nuded winter’s boles to Spring’s small buds,
To summer’s windy leaves that dance and quiver,
I find The Beautiful — oh ! wide green floods,
Niagara-of-the-year, from Him, the Giver ;
And, though I go each season to the Fall,
Discovering one great Beauty, find it all !

 

Source: Evelyn M. Watson. Poems of the Niagara Frontier. New York: Dean & Company, 1929.

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watson remembering

The Colorist at Niagara by Evelyn M. Watson

watson colorist   

watson colorist
The Artist Sketching Niagara from Goat Island by James Pattison Cockburn, 1827. Colour tint by Erna Jahnke. Courtesy Niagara Falls Public Library

I’ve seen a heavenly despair,
An artist wrestling in prayer,
To find right colors, nicely blent
To show Niagara’s firmament,
Star-stippled, with the evening air
Stilled as if from some divine content.
And when the moon’s clear milky mist
Fell down on shadows, amethyst
And silver-blue, I’ve heard his sighs
Because such paradox defies
The reason — seems to puzzle, twist
The prying sight of Man’s too mortal eyes,
(To show, then spirit-off, the dazzling prize.)

And when the Dawn Maid brightly lifts
Her wide prismatic cup there drifts
A rose-wine tint that’s deftly played
On folded hues of lambent jade —
I’ve heard him ask for finer gifts
To fix forever sweeping gold light sprayed
Among noon’s burning shadows, speak
Of great gray gulls with open beak
And flame-edged wings that flaunt the spray
And that dread Call from far away —
“Death, too, were mine if that I seek
To fully represent the lure of Day —
Let others picture Viewless Light who may.”

The challenge of changing hours he sees,
And seasons passing among the trees,
A Processional of living tone
As lyric colors have outshone
Historic jewels — for filigrees
Of radiance have come from Him alone.
To imitate Night’s mauve, Dawn’s rose
That from the Day’s raised goblet flows
To paint this sweep of surging white,
That flowing green, this pouring light,
Is like the perilous way of those
Bewildered birds betrayed by careless sight,
Tempted too far in ecstasies of flight.

The moth that yearns the coaxing star,
Beats off its gold where gray winds are
Too grim, the teal on spray-drenched wings
Above the river, in spirallings,
Must heed, at last, that Call afar —
And so the foolish artist-heart that flings
Restraint aside and dreams to limn
Sheer color excellence — to him
Enough the tarnished-silver stone
Where tiny stars of mist are sown —
The hand must waver, even mind grow dim —
Nor is this tragedy his own — alone.

Source: Evelyn M. Watson. Poems of the Niagara Frontier. New York: Dean & Company, 1929.

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 watson colorist

Salutation by Evelyn M. Watson

watson salutation
‡‡‡‡‡‡‡
I. To Niagara

watson salutation
Niagara Falls (From near Clifton House), 1837, by W.H. Bartlett engraving by J. Cousen. Courtesy of Niagara Falls Public Library

‡‡‡“My heart is fixed; therefore I sing.” ― Bible

Niagara, my singing heart is fixed;
I love the rich contentment of your wood,
Your wind-scourged cliffs and that calm sisterhood
Of islands.    As man-birds crest the wind betwixt
The Falls and the farther skies, on azure highways,
So poets look from heights yet more sublime,
Inviting Nature-lovers from life’s byways
To experience beyond all touch of time,
Aware of rhythm in a heart that’s living
Become attuned to fuller consciousness
Exalting joys that consecrate and bless. . .
Niagara, we join your song Thanksgiving.

‡‡‡‡‡‡‡II   To the Public

Oh love the character of rocks, each tree
Along this course, each grot in solitude
With phantom—eerie ponds—the wind’s mood—
This thundering torrent in its majesty
With Nature’s attitude so grave and stern.
One feels the unity of truth and good
With beauty on life’s course—without return
Both condemnation and Beatitude.
Join now these staves of melody, the chording
Organ-tones with birds in blending choir—
And note heart-aching charms of misty fire:
May Memory receive each jewel for hoarding.

Source: Evelyn M. Watson. Poems of the Niagara Frontier. New York: Dean & Company, 1929.

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watson salutation

Summer Dresses by Jane Urquhart

urquhart summer

urquhart summer
Crown Trent bone china cup and saucer flowered Niagara Falls souvenir

Later

flowered cups she drinks
her tea from
echo in her summer
dresses

she is an old woman
contemplating
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡unlaced shoes

memory all around her
like the river of that vein
in one thin hand

against a powdered cheek

behind a cedar door
she feels compelled to organize
the souvenir of wardrobe

(her closet
‡‡‡‡‡‡‡‡‡‡‡dark
with flowered cloth)

she understands the fabrics
of identity
and reaches for her pen again

the document survives for years

 

Source: Urquhart, Jane. False Shuffles. Victoria: Press Porcépic, 1982. Section entitled The Undertaker’s Bride. 

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Keeping Score by Jane Urquhart

urquhart keeping

urquhart keeping
The whirlpool downstream of Niagara Falls, where many bodies of people who have gone over the falls are recovered. Photo courtesy of Niagara Falls Public Library

The sunroom
‡‡‡‡‡‡‡‡‡‡‡‡‡‡in the afternoon
escalates beyond light
becoming a perfect timepiece

as she sits there
keeping score
‡‡‡‡‡‡‡‡‡‡‡‡‡‡cultivating
a careful record of that
which the river offered
in the summer of ’28

the pen in the inkwell
on the walnut desk
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡lifts
in grandmother’s fingers
‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡‡emptying

indelible tatoos
permanent labels

hair and teeth and weight

the contents of a pocket
the value of a tie-pin

now
‡‡‡‡‡‡as dust motes sail
across her vision she pens
the essence
‡‡‡‡‡‡‡‡‡‡‡‡of a definition
the answer to a question

as beside number 116
she writes

body that
‡‡‡‡‡‡‡‡‡‡‡of a small man

 

Source: Urquhart, Jane. False Shuffles. Victoria: Press Porcépic, 1982. Section entitled The Undertaker’s Bride. 

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