Niagara by Edward F. Garesché, S.J.

edward
Fr. Edward F. Gareché, S.J.

GOD, in His ages past the dawn of days,
Writ one white line of praise,
Which now, in this great stress and hour of need,
I bend my soul to read.
I break the sullen bonds of wearying time,
And with one leap sublime,
Force my astounded soul go back and stand
In the primaeval land !

The tresses of the ancient flood are kissed
With virginal, white mist.
The same soft, thunderous sound
Thrills the wild woods around,
But oh the vast and mighty peace that broods
On these green solitudes,
Where the great land, with one tremendous tone,
Litanies to God, alone !

Tongue of the continent! Thou whose hymning shakes
The bosom of the lakes !
O sacrificial torrent, keen and bright,
Hurled from thy glorious height !
Thou sacerdotal presence, clothed in power,
At once the victim and the white-robed priest,
Whose praise throughout these ages hath not ceased,
Whose altar steams with incense every hour !
Lo, in all days, from thy white waters, rise
The savors of perpetual sacrifice !
I see pale prophecy of Christ’s dear blood !—
The transubstantiation of thy flood !

Oh the wild wonder of the vast emotion
Of the perturbed wave,
That cries and wanders like the fearful ocean,
Seeking, with none to save !
In their wide agony the rapids roam,
A world of waves, an universe of pain !
The vexed, tumultous clamor of their foam
Crying to God with agonized refrain,
Where the sad rocks their quivering summits hide
In the loud anguish of the refluent tide.

Yet, with a willingness that leaps to sorrow
Swift run the ragged surges to the height,
And from their pain is born a pure delight—
The fear to-day, the snowy peace to-morrow !—
Cleaving like darts their swift and silvery way
With sudden gleams, and barbs of glittering spray,
They hurry to the brink, and swift are lost
In that stupendous leap, that infinite holocaust !

Oh Christ-like glory of the praying water
That leaps forever to its mystic death !
And from the anguish of that sobbing slaughter
Lifts the clear glory of the torrent’s breath,
Where like a paean of rapturous victory calls
The solemn jubilation of the falls !

O alabastrine priest—thy splendor spraying
More lasting than the immemorial hills !
O monument of waves, O undecaying
While God’s right hand thy flowing chalice fills !
Under the transient world’s astonished eyes
Thou offerest abiding sacrifice !

In the pale morning, when the rising sun
Flatters thy pouring flood with slanting beams,
Most reverent thy duteous waters run,
And hymn to God with all their thousand streams.
And in the blazing majesty of noon,
Still lifts thy wave its sacrificial tune,
And spills, like jewels of some eastern story,
Its bright, impetuous avalanche of glory !

And in the stilly spaces of the night,
While heaven wonders with its wakeful stars,
Thou prayest still, beneath the solemn light,
In booming tones that reach to heaven’s bars,
Keeping thy vigils, while the angelic moon
Walks on thy perilous verge with glorious shoon,
Chanting from foam and spray without encease
Thy yearning immemorial prayer for peace !


Source: Kilmer, Joyce (ed.) Dreams and Images: An Anthology of Catholic Poets. New York: Boni and Liveright, 1926c1917.

About Edward Francis Gareché

Maid of the Mists (Niagara Waterfall) by Yehoash

yehoash
Yehoash (Solomom Bloomgarten)
Image courtesy of Wikipedia

A hundred cubits running wide,
Green and silver is the raiment
Of the Maiden of the Mists.
Rainbows strung along the edges,
Suns and snows and rows of foam, 
Woven into plaits and braids.
Yo-ho!
Upon white cords,
Upon green bands,
Over stormy balustrades,
Leaps, besprinkles, the Maiden of the Mists,
Swims through glimmering bows of foam
The slender, slim and sinuous daughter of the mists.

                            [II]

Yearns the black forest,
Ten thousand years of lust,
Says the black, dense forest:
“Dance for me!
Fling open your green and silver raiments,
Tear apart the rainbows
And bare your form.
Mother-of-pearl thy breast,
White blossoms are thy loins.”

                       [III]

“Yo-ho, old forest,
I shall dance a dance for you;
Yo-ho, thou forest of black lusts,
I shall dance a dance for thee.”
On the green and gray stairway
Swings and sways the Maid of the Mists,
Chaste and laughing,
Nimble and pure,
Green and white,
Widely spread the trailings long,
All folds freely loosened,
All rainbows ablaze,
And leaps
To the deep roaring waters,
To the briskly roaring waters.

                   [IV]

“Yo-ho, old forest,
What of my thigh hast thou seen?”
“Yo-ho,
Whitest dust,
Snow and sun,
Pearls and crystals,
Veils and shawls—
Old forest of black lusts,
What of my loins hast thou seen?”

              [V]

Whitest dust,
Sun and snow above
And an iris of rainbow
Dances the Mist Maiden
With the buoyant roaring waters,
With the sprightly roaring waters.
“Yo-ho, old forest,
What of my white thigh hast thou seen?”


Source: Jehiel B. Cooperman and Sarah H. Cooperman (selectors and translators).  America in Yiddish Poetry: An Anthology.  New York: Exposition Press, 1967.

Yehoash is the pen name of Solomon Bloomgarten. Read about Yehoash 

Thanks to Sammy Hacker for bringing this poem to my attention.

Niagara in Winter by Meyer Ziml Tkatch

tkatch
Postcard of Niagara Falls in Winter
Image courtesy of Niagara Falls (Ontario) Public Library

An overgrown thicket
With locks flowing wild,
With steam from the mouth
Which envelops the face,
With the haste of a shot,
With the roar of a forest,
Springs into the vale from a mount,
As though to break the neck
And to sprain the feet—
Niagara, the giant.

And the winter caprice
With its icy yoke
As in chase for a beast
Niagara pursues.
Not in vain howls the wind,
Like a pack of dogs,
And with the snow shot in vain
Shoots the cloud, shoots again,
Desolated all around,
All around becomes stoned,
As though him not meant.
Never, at all, stops
Niagara’s gallop.


Source: Jehiel B. Cooperman and Sarah H. Cooperman (selectors and translators).  America in Yiddish Poetry: An Anthology.  New York: Exposition Press, 1967.

Read about Meyer Kiml Tkatch

Thanks to Sammy Hacker for bringing this poem to my attention.

 

Rally by Keith Inman

rally
Keith Inman

Donna needed bras;
Jesse socks; the kids
candy. So they said
yanking her sleeve,
their heads tilted, pleading
as they trooped
through the Monday mall.

The food court draped
with jean’d students,
spread across tables,
sleeping on the floor.

Lines of dominoes lead
up a ramp to a rocket ship;
multiple lanes ran to spinning wheels
and a Chinese tomb of soldiers.

A sign said they were building
a computer.  Donna wondered
what dominoes could answer
when Rachel pulled her finger,
“Why are some missing?”

“Jesus tiles,” an old man said,
a poppy tray in his arm. “They save
the whole thing from going off.”

Just then a clinking hail of glass
ran across the floor to end
before the rocket.

Rachel’s face lit up, “I’d like to see that.”

“You have no idea,” he said,
placing a poppy in her outstretched hand.


Source: John B. Lee (comp.) Arborealis: A Canadian Poetry Anthology, 2018.  Toronto: The Ontario Poetry Society, 2018.

Rally was a winner of the Judge’s Choice award of the Ontario Poetry Society contest.  Inman’s poem Figure Eights won the first prize, his poem  Rock Paper Scissors  won the third prize, and his poem Crewed  also won a Judge’s Choice award in the same contest.

Declared a ‘people’s poet’ by John B. Lee and Dr. Elspeth Cameron, for his blue collar style, Inman’s work has earned him a variety of grants and contest awards. A first chapbook, Hanging on a Nail, with two other Niagara Poets at Sigilate Press, sold over 500 copies. And a first Trade book, The War Poems: Screaming at Heaven from Black Moss Press, received a review from Canlit #223, who compared his work with Atwood and Itani. Keith lives and writes in Niagara. 

Crewed by Keith Inman

crewed
Interior of a Headstone Manufacturing Factory, Believed to be Rigg Brothers Monuments on Queen Street , Niagara Falls, ON.
Image courtesy of Petrie Collection, Niagara Falls (Ontario) Public Library

Jenny started to know
the passing faces of nightshift
who said, “You go, girl”
better than friends and family
that first summer of mismatched hours

as whispers breezed the mill
about ‘kids abandoned at day-care,
partner on the juice’
turned to soft winds of divorce
under-heard in the salt machinery
of the factory cafeteria.

On the floor, she kept her broom
between the yellow lines, even when steam
screamed from a torn gasket

’til she spotted Bob’s silver mane
along the carton line, roaring
his shit at someone’s ear-muffed head.

“Wipe yourself when you’re done,
prick. Or, see that machine over there?
I’ll drive it so far up your ass
It’ll clean your moustache.”

The girls on the line keeled 
and reeled like feeding gulls.


Source: John B. Lee (comp.) Arborealis: A Canadian Poetry Anthology, 2018.  Toronto: The Ontario Poetry Society, 2018.

Crewed was a winner of the Judge’s Choice award of the Ontario Poetry Society contest.  Inman’s poem Figure Eights won the first prize, his poem  Rock Paper Scissors  won the third prize, and his poem Rally also won a Judge’s Choice award in the same contest.

Declared a ‘people’s poet’ by John B. Lee and Dr. Elspeth Cameron, for his blue collar style, Inman’s work has earned him a variety of grants and contest awards. A first chapbook, Hanging on a Nail, with two other Niagara Poets at Sigilate Press, sold over 500 copies. And a first Trade book, The War Poems: Screaming at Heaven from Black Moss Press, received a review from Canlit #223, who compared his work with Atwood and Itani. Keith lives and writes in Niagara.