The mushrooming sound of waters, spores, and eddies oozing up towards the fog — an insolence
that defines us.
We are mired in the gurgling of the falls.
Nothing speaks of the evening
yet we appear to be in the midst of its hyphae.
The Cover of Moga’s Sea Glass Circe, the collection from which this poem was taken
II — Granite
Rocks — granite and dark quartz, glitter in the riverbed.
Water randomly concludes harmonics of the second order:
grass plotting a poisoning
in the straits of the narrowing waterway.
III — Inside the Barrel and Across the Falls
Padded with gills,
the blowball of the water
speeds past us enmeshed in fuzzy tendrils.
A falsehood of colors reflects
the one-size-fits-all roar of the river,
its course shaping a
a finer, more irregular death of its meaning.
Source: The author, 2021. First published in Moga, Irina. Sea Glass Circe. Leaside Books, 2019
Author’s Bio:
Irina Moga is a Romanian-born Canadian poet, author of five poetry books, and a member of the Writers’ Union of Canada (TWUC).
“Sea Glass Circe,” her fourth book, was selected for an official launch as part of the 2020 Toronto LitUp!, Toronto International Festival of Authors (TIFA).
A collection of poems written in French, “Variations sans palais,” was published with Éditions L’Harmattan (France) in 2020.
Irina’s work has appeared in literary magazines in Canada and the US, such as: “Canadian Literature,” “carte-blanche,” “Cloud Lake Literary,” “PRISM International” online, and “Poetry Quarterly.”
The Europa Hotel in Downtown Niagara Falls. Photo by Cole McInerney
And the street held silence for two strangers who didn’t have to stay that way. We stood silent below lamplight in the magnetic time.
Your suburban home stood parched in the dark and didn’t know me well. Your mother stood at the northern window and pretended to be passing by. The ten o’clock fireworks stood above the hotels and were heard in a tired sky. Your roof stood parallel to that forgiving horizon.
Your car stood locking and unlocking as we collided. We stood silent across from fire station number three then went around your block again. And in that silence we don’t celebrate the ending we just end up walking other ways.
Source: The author, 2021
Russell Street was first published in The Continuist, May 10, 2020
Cole McInerney is a poet from Niagara Falls, Ontario. He studied English at Toronto Metropolitan University. Currently, he is a MFA student at the University of South Carolina, studying poetry. His poems have been published in several print and online publications, including Feral Poetry, White Wall Review, The Bookends Review, and Echolocation Magazine.
Electric Power Transmission Corridor. Photo by Cole McInerney
The Riall Heights Plaza was a refuge in all weather
You come through the door, yelling about the Republican Party and the pandemic response, high on speed. Magnifying the voices of breathless men who score the TV. Winning in the poll, losing as I leave.
Racing the sparkling, champagne SUVs which pour down the street. Asking for a truce once they take the lead. Passing a string of houses with front yard pesticides and driveway gates. The kid sleeping inside, born with a royal name.
Settling at the commercial plaza which shelters a bar, campaign office, and other businesses; which end and begin to end again. Beneath the desperate cover of a patio umbrella, I find a childhood friend. just as the rain collapses on the peeling parking lot.
We talk about holidays, the pitcher pricing, and attempting to forget every lie we’ve told, as we create the next. The rain moves on in a moment of disbelief. Likely toward downtown. Standing to walk home, he says you better not fucking die.
Source: The author, 2021
Cole McInerney is a poet from Niagara Falls, Ontario. He studied English at Toronto Metropolitan University. Currently, he is a MFA student at the University of South Carolina, studying poetry. His poems have been published in several print and online publications, including Feral Poetry, White Wall Review, The Bookends Review, and Echolocation Magazine
Lady Emmeline Stuart-Wortley, 1806-1855. Portrait by Frederick Christian Lewis Sr . Courtesy Wikipedia Commons
Waters of wonder! whose dread cry, profound, ‡‡Is as the world’s voice lifted to the sky! ‡‡A wild, and terrible, and awful cry,
Fall! pealing with a more than sea-deep sound,
Thrills not the earth to thee for leagues around?— ‡‡Art thou not heard into the Eternity?— ‡‡Beyond that upper air that seems to lie
Listening above thee in bright silence bound? ‡‡On plumes of swift imagination borne,
How have I seen thee, mighty cataract! sent ‡‡As ’twere from Heaven to Earth, of strength unshorn!
How have I o’er thy scene o’erpowering bent, ‡‡Adored thy wrathful play and savage scorn, ‡‡Thou won’drous Chaos of one Element!
Source: Emmeline Stuart-Wortley. Queen Berengaria’s Courtesy and Other Poems. London: J. Rickerby–J. Hatchard and Son, 1838
The original Brock Monument Overlooking the Village of Queenston by J.C. Armytage. Image courtesy of Niagara Falls Public Library
Lines composed on seeing the Proposals of the Commissioners for erecting a Monument to the memory of the late MAJOR GENERAL SIR ISAAC BROCK. — In imitation of the death of WOLFE.
CROWN’D with sad cypress Britannia sat mournful,
Where Queenston’s bold heights overlook the broad plain;
Her Garments were wet with the tears of Aurora,
And she mus’d on the deeds of her BROCK that was slain.
Her soul was absorb’d in profound contemplation;
‘Neath her feet roll’d the surge of its turbid career;
Now she gazed on the skies — now the dark deep before her,
While Niagara’s thunders broke full on her ear.
“My BROCK!” she exclaimed — “did death here arrest thee!
Did thy gallant spirit here burst from its clay!
Ah! why was so short the bright path of thy glory!
Why cut down so soon in the noon of thy day?”
‘Twas morn, — and sublime o’er the guiph of Niagara,
On the dark folding cloud rising dense to the sky,
Sat the GENIUS of CANADA — round far below him,
Majestic he shot the quick glance of his eye.
He saw the disconsolate Queen of the Ocean
Reclin’d on the ground — in an instant was there
Before her the vision cloud built, and suspended,
It hung o’er the channel’s rocks in mid the air.
She gazed with wonder—the genius refulgent
In glory, descended and stood at her feet: —
Ah! why, he exclaim’d dost thou sorrow, fair Empress,
And pour the sad sigh on the midnight retreat?
Thy BROCK is not dead,— for still fresh in his glory;
Unscathed remained the bright wreath of his fame;
And long shall posterity tell the proud story,
And kindle anew at the sound of his name.
When called to the council of state, by his wisdom
He banish’d discordance, uniting all hands
And all hearts into one, all their energies guiding
As one, to one object, his Sovereign’s commands
The glory of Britain — the good of his country
United, stood firm in the views of his mind,
In battle a thunderbolt, — mild to the vanquish’d,
In council a sage, — and a friend to mankind.
His labors were ended, and ripe was his glory: —
The FATHER of all call’d him home to his rest;
Now a crown, never fading, encircles his temples,
And peace, gentle peace, reigns serene in his breast.
‘Tis mine here below his fair fame to watch over;
His memory to guard from oblivion’s dun shade;
And here on this ground will I raise his proud trophy,
Where he fell — where his last gallant act was display’d.
E’en now are my faithful Canadians preparing
The pile of affection to rear to his name.
The marble shall tell of his deeds to the stranger.
And ages unborn shall recount all his fame.
ERIEUS
Port Talbot, Dec. 23, 1823
Adam Hood Burwell published poems under the pen name Erieus
Source: Burwell, Adam Hood. “New” Poems of Adam Hood Burwell. Edited and Introduced by Mary Lu MacDonald. canadianpoetry.org/ 2020
