The American Niagara Falls Undated postcard. The Bridal Veil Fall is to the right. Image courtesy of Niagara Falls Public Library
Greetings from the capital of love,
whose cataracts a punster might foretell.
Next time we come we’ll plan for a motel:
one afternoon is simply not enough.
Where other tourists see the Bridal Veil,
I watch the ghosts of buffalos herded off
a thousand cliffs by hunters. Gulls circle as if
they were white buzzards. They wait to no avail.
Sorry to be cynical, I buy
some souvenirs — small TV sets with slides of all
the sights in living color. The primal
screams are missing. The hunters had their alibi
but what is mine? Can I love a girl
afraid of every honeymoon’s cheap thrills,
like holding hands in public or acting like a fool?
Yours, of course, until Niagara Falls.
Source: Jennifer Rose. Hometime for an Hour: Poems. Athens: Ohio University Press, 2006
Maid of the Mist Near the American Side of Niagara Falls. Photo by Chris McIntosh on Unsplash
Arriving early, before the lovers
have climbed up from their seastruck beds,
she stands where mist can penetrate
the way 7 a. m. changes the world—
softening, quickening little
hopes. She thought the Falls
were out in the country, not in a town.
To be wrong so many times, like finding the pyramids
adjacent to the Cairo bus stop,
or even herself alone in upstate New York
in the middle of a summer when she can imagine
pitching so many things overboard,
not a body in a barrel, not that,
but stacks of manuscripts, yellow stick-um notes,
even what she said yesterday,
into the surging megatons,
the burst of fabulous power that could light our lights
from here to Cincinnati or whatever the loudspeaker shouts
when she rides the boat that dips a herd of slickers
into the blinding white roar, the baptismal boat
where Japanese and Puerto Rican come up equally
wet. Despite the blurred narrative,
she won’t forget how she lifted her face into the spray.
Before leaving, she drives around
the Canadian side, entering the thrift mart,
dimestore, buying a jug of bilingual bubble bath—
then spins toward the bridge again, refreshed,
sparked by the electricity that accompanies
days marked by nothing but what we see,
as if after all our sober intentions and hard work,
the days that carry us could be these.
Poet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country’s most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother’s scarf, an alarm clock, a man carrying his son on his shoulders.
Lines suggested by a glance at the visitor’s Album, kept at the Museum, Niagara Falls.
Give up, ye would-be bards, your rhymes to tag here so,
In vain you rack your brains to paint Niagara.
A theme which even Milton’s muse might beggar, you
Had better let alone when at Niagara.
About Lodore right well could Southey swagger, tho’
‘Twould take ten thousand such to match Niagara.
To all who can stand boasting fit to stagger me,
I’d recommend a visit to Niagara.
Hear yon sleek slaver—not a bit in waggery—
Toasting the “Flag of Freedom” at Niagara!
“You Canucks,” quoth he, “need the starry flag o’er you
To make you worth your salt benorth Niagara!
You can’t too quickly have that British rag o’er you
To disappear entirely from Niagara!
He calculates some day to blast a crag or two
And drain Lake Erie all up from Niagara.
He speculates, just as myself I drag away,
How Ætna’s throat would like to gulp Niagara!
Oh, cousins, cousins! what a set for brag are you!
When will you learn mere froth is not Niagara?
But I must cease, lest they should lynch or dagger me;
Already they have fleeced me at Niagara.
Source: Evan MacColl. The English Poetical Works of Evan MacColl. 2nd Canadian edition. Toronto: Hunter, Rose & Co., 1885
What I remember most is not the barrage,
the beating, the thunderous surge
in my plugged ears. Or the faces
drenched in rivulets of tears. Not the rubber
ducky shoes, or hooked yellow slickers and hats
lined up in a row like Gloucester ghosts
in the fog of the women’s undressing room.
But how, being shy and thirteen, I crouched
in a private cubby and slipping off my panties,
revived the child who once threw off her clothes
and ran through summer storms
open-mouthed in sheets of rain—
a bare-back rider with streaming hair
and tall grass between my toes
—wild and ecstatic.
Drowned in the deafening roar,
my parents’ incessant arguing dissolved to silence
as they held on for dear life to the railing.
Single file we climbed to The Cave of Winds
through the relentless crash of water.
An old man ahead of me stopped. Laughing,
I leapt around and raced up the winding steps, free
to look beyond their fear and shouting.
My uplifted face glowed with the stinging tattoo
and poured down my legs. Beyond belief,
on the top platform I looked through a quicksilver veil
hurling rainbows and spray into my eyes.
Though the scaffold rotted long ago
I’m still there, naked with the angel
behind the falls.
