Heart-Shaped Jacuzzi in a Suite at the America’s Best Inn on Lundy’s Lane . Photo by Alina Rashid, July 13, 2005 Image courtesy of Niagara Falls Public Library
The same old souvenirs
still amuse us — pennants,
Indian wood carvings,
and the aphrodisiac cocktails
whose nectar we spill
on pillows like some happy couple.
We spent our sleepless nights
rehearsing melodramas (I remember
your fondness for Chopin)
while the monotonous aquatic
thunder numbed our ears
and the braille of stars felt soft.
In a lofty luxurious suite
overlooking
the picture postcard cataracts
we tickled the skin of dreams
and fevered our love
with hors d’oeuvres.
At night the neon loins
of this city unveil brides galore.
O Rainbow Bridge,
believe me when I say
our honeymoon was nothing more
than breakfast in bed.
Source: Len Gasparini. Cutty Sark: Poems. Quarry Press, 1970. This poem also appeared in New American and Canadian Poetry edited by John Gill, 1971
The small railway hotel and tavern near the Rainbow Bridge of Niagara Falls, Ontario at Bridge St. and Erie St. was named seven times during its 125-year history.
For decades, the hotel was known for basic rooms, meals, stabling horses, and postal delivery.
Since its inception, the building had been called the Suspension Bridge (1853), the Waverly (1880s-90s), the Arlington (mid-1890s), the New Arlington (mid-1930s) the Erie Hotel and the Avon House (1950s), and, finally, the hotel was named the Klondike Hotel in 1960.
On the rough side of town, it became well known that, for regular, law-abiding folk, just going there was risky.
Over the years, there were constant law enforcement interventions about alcohol, drug, health, solicitation, strip club, and vice regulations.
There were continuous police citations for a myriad of recidivist by-law and civil infractions and criminal code violations.
Lawlessness prevailed, and the characters around the scene acted with impunity;
The Klondike had become a well-known bane to the civilized community.
One day, while I was researching the interesting landowner lineage of the plot at Sam’s Montrose Hotel/Motel at Montrose and Lyons Creek roads in Niagara Falls (my research paper found at Niagara Falls Museum in the Thompson/Thomson files collection),
I was in a public telephone booth calling the hotel for deed information, and I became a part of a peculiar telephone call misconnection.
I was confusedly speaking with a confused woman who was also telephoning Sam’s Montrose. I asked her name. She said her name was Cinnamon. Dare I say that I don’t know how she spelled her name.
Curious, I asked her where she was calling from. She replied, “the Klondike.” She added that she was working there. Intrigued, I felt a song coming on. I asked if I could meet her at the Klondike to talk person-to-person for ten to fifteen minutes, so I could take some notes. Honestly, that was my aim.
I went down to the Klondike to chat with this muse. As I walked through the door, facing me — three feet in front of me, on a raised runway stage — there was a full-frontal nude exotic dancer called Bambi. She was gyrating to Stevie Wonder’s major hit “Sir Duke.” As I stood before her, she opened her arms wide and shimmied. I heard the blasting lyrics, “You can feel it all over, you can feel it all over, you can feel it all over.” Believe me, I could feel it all over. The small lobby’s barroom was overcrowded, and marijuana and drunkenness were apparent. Bedlam reigned everywhere.
I briefly spoke with Cinnamon; she was so completely unimpressive that I took no notes. There was no song arising from this occasion. I quickly left, sensing the high tension in the thick, smoky air.
Everything about the Klondike festered until the hotel met its final fate.
Thank goodness no one was injured, but the building sustained a dynamite explosion in 1978.
One wonders why, over time, the police investigator
Never caught the perpetrator.
Rumors were that police facilitated the deed. The person(s) involved — never found.
Finally, in 1980, the officially condemned, unsafe building was demolished to the ground.
The land where The Klondike once stood is presently part of the Niagara Falls Ontario Bus Terminal site.
Today, word on the street is that, in the shadow of the Klondike area’s history, it’s not a neighborhood to walk through in the dim light of night.
Source: The author, 2026
Author’s note:
The poem “Klondike Hotel,” a Niagara Falls atypical rhyming piece is one of five ̶ what I call ‘rambling poems’ ̶ comprising the unpublished work Rambling Reminiscences.
Glenn Bridenbaker:
Happily married to beautiful and wise muse wife Cheryl since 1967. Two brilliant sons, a gorgeous daughter. Two glorious granddaughters, an excellent grandson. Ontario residences: Toronto, Manitoulin Island, Wikwemikong Unceded Indigenous Reserve, Niagara Falls, and Ridgeway. Bibliophile. Musician. Nonprofessional writer. Amateur oil and watercolor painting. Novice Oriental Brush Painting. Art collector. Musical instruments and recorded music collector. Numismatist and philatelist. Dog and cat owner. Home vegetable, flower, and landscape gardener. Birdwatcher. Astronomy and space aficionado. Meaningful values include: know thyself, family, health, common sense, truth, logic, integrity, sharing, creativity, curiosity, quality, arts appreciation, and humor. Two years graduate student of Marshall McLuhan at the Centre for Culture and Technology.
Erika Meitner is the author of five books of poems, including Ideal Cities (HarperCollins,
2010), which was a 2009 National Poetry series winner; Copia (BOA Editions, 2014); and
Holy Moly Carry Me (BOA Editions, 2018), which won the 2018 National Jewish Book
Award in Poetry, and was a finalist for the National Book Critics Circle Award. Her sixth
book of poems, Useful Junk, is forthcoming from BOA Editions in 2022. Meitner’s poems
have been anthologized widely, and have appeared in publications including Best
American Poetry, Ploughshares, Virginia Quarterly Review, The New York Times
Magazine, The New Republic, and Tin House. Other honors include fellowships from
MacDowell, the Wisconsin Institute for Creative Writing, the Virginia Center for the
Creative Arts, the Hermitage Artist Retreat, and Blue Mountain Center. She was also the
2015 US-UK Fulbright Distinguished Scholar in Creative Writing at the Seamus Heaney
Centre for Poetry at Queen’s University Belfast. Meitner is currently a professor of English
at Virginia Tech.
Fallsview Boulevard in centre of photo, running from top to bottom. This is at the bottom of the hill. Imax Theatre on right, Best Western large rectangular building on left. Niagara Falls is to the right of this photo. August 22, 2005. Photo by Alina Rashid. Image courtesy of Niagara Falls Public Library
My grandmother at forty woke up before dawn
to dress, put on make-up, and curl her hair.
She was divorced, a mother of five, and a waitress
at the Best Western hotel in Niagara Falls.
The job started at eight o’clock but, always,
she left her apartment on Main Street early. Turned
the key in the lock. The click in the lock
told her she had the freedom to claim the open,
silent walk. She was a waitress at the Best
Western hotel in Niagara Falls. The boss was waiting
at the job, but the shift started at eight o’clock,
and just after dawn my grandmother still found worlds
of time. Worlds enough to breathe the air and know
she was alive. In 1980, in Niagara Falls,
the air smelled of water and smoke and big car
engines. Morning leavings of tourist bacchanals
performed all night before. But she didn’t care
for any of that. She was a waitress at the Best
Western hotel, and when she walked down
the Fallsview Boulevard hill she knew—she was alive.
These days my grandmother’s legs are frail
as the stilts of dying birds, but four decades back
they were still strong enough to work all day—
work and wake again before the dawn, wake
to descend the last stretch of hill. Watch
the rising sun turn Niagara’s jagged trench
and torrent liquid gold. Now at eighty years,
my grandmother trains my gaze with misty eyes
and lifts a brittle claw. When I was forty,
she confides, I was a waitress at the Best Western
hotel. Every morning before work, I’d walk down
to Niagara Falls. Watched the water. Knew
I was alive. A smile snakes across her skull. You know,
I thought I was so old. My God, she whispers,
I’d give anything now to be forty. Walk
down the hill to the water. Alive.
Source: FJ Doucet, 2021
FJ Doucet’s work has been published in grey borders magazine, The Banister, Hamilton Arts and Letters, Red Bird Chapbook website, Ascent Aspirations, and The Lyric. She is the newest president of the Brooklin Poetry Society. Doucet was born and mostly raised in Niagara Falls, Ontario, and though she has since lived on three continents, Niagara continues to haunt her.
Well, why don’t you stop a week at the hotel? The beds and grub are good.
C. C.:
Yes, but devilish dear.
Source: Table Rock Album and Sketches of the Falls and Scenery Adjacent. Buffalo: Steam Press of Thomas and Lathrops, copyright by Jewett, Thomas & Co.,1856c.1848
This link takes you to the scanned version of the 1855 version of Table Rock Album from the Hathi Trust
