Niagara Below the Cataract by Clara Jessup Moore

Moore
Clara Jessup Moore

Within a temples towering walls I stand  ̶
A temple vast; the heaven is its dome.
No corniced crag was hewn by human hand
Nor by it wrought the tracery of foam;
The inlaid floor of emerald and pearl
Heaves at the hidden organs thunderous peal,
While round and up the clouds of incense curl,
Shrouding the chancel where the billows kneel.
Ah! bow your heads. It is a fitting place
For solemn thought, for deep and earnest prayer;
For here the finger of our God I trace,
Beneath, above, around me, everywhere;
He hollowed out this grand and mighty nave,
And robed his altar with the ocean wave!

Source: Moore, Clara Jessup. Miscellaneous Poems; Stories for Children; The Warden’s Tale; and Three Eras in a Life.  2nd ed.  Porter & Coates, 1875

Note: Moore used a variety of pseudonyms. This poem has also been published under the name Mrs. C. J. Moreton

Niagara by Martin Farquhar Tupper

Martin F. Tupper
Martin F. Tupper

I longed for Andes all around, and Alps,
Hoar kings and priests of Nature robed in snow,
Throned as for judgement in a solemn row,
With icy mitres on their giant scalps,
Dumb giants frowning at the strife below.

I longed for the sublime. Thou art too fair,
Too fair, Niagara, to be sublime!
In calm, slow strength thy mighty floods do flow
And stand a cliff of cataracts in the air,
Yet all too beauteous Water, bride of Time!

Veiled in soft mists and cinctured by the bow,
Thy pastoral charms may fascinate the sight,
But have not power to set my soul aglow,
Raptured by fear and wonder and delight.

Source: Kevin McCabe, ed. The Poetry of Old Niagara. St. Catharines, Ont. : Blarney Stone Books, 1999.

Published in Martin Farquhar Tupper.  Three Hundred Sonnets.  London: Arthur Hall, Virtue, and Co., 1860.

Also published: G. W. Holley, ed. Niagara: Its History and Geology, Incidents and Poetry. New York, 1872.

Also published in  Johnson, Richard L. (ed).  Niagara: Its History, Incidents and Poetry. Washington: Walter Neale General Book Publisher, 1898.

Choices by Jan Conn

Jan Conn, photo by Stacy Greene
Jan Conn, photo by Stacy Greene

the falls spill over grey walls of rock,
a repeated hallucination. marble green water
unfurls white crinolines of foam that
cascade over the edge like five thousand
angels in anklets of lace.

churning in the river’s jaw
like loosened teeth, chunks of ice
jostle each other near the lip
of boiling water, then grind
and shatter far below.

once a man crossed this on a tightrope —
others rolled over in barrels. some
survived, some dreamed over and over
white water caught in the grapes of their lungs.

last year a woman dropped her child
over the black rail. was slow
to scream for help. exposure
takes too long, she said.

all night the child’s fingers
climbed the bedroom walls
like the knuckles of spiders.
the mother bathed in moonwater,
wanted to live in the mouth of a rose.
the child was an octopus, hungry
for love or milk. she provided milk.
love was a luxury.

we walk between twisted trees,
make starts of conversation.
wind whips sheets of snow
over dead grass; pares our faces
thin as paper.

we lean over the rails, stare down
until the water shifts, begins to fall
up. spray beads our hands, we reel
like drunken boats. we’re not yet sure
why we’re here. a sign nearby says
keep back. it doesn’t say
don’t jump.

Source:Mary di Michele (ed.) Anything is Possible: a Selection of Eleven Women Poets. Oakville: Mosaic Press, ©1984

Jan Conn’s website

Love’s Changeableness by Arthur Weir

niagara falls love
How many heart-wed lovers here have stood,
Like us, beside the Niagaras folding brink,
Watching the thirsty gorge the torrent drink!
How many, like ourselves, in solitude
Have stood above the fierce moon-smitten flood,
Through whose mist clouds a myriad star-points twink,
And felt the grandeur of the cataract sink
Into their souls until was thought subdued.
How many human hearts here throbbed with love
And dreamed their love would live beyond the grave,
Strong as Niagaras rush, deep as its fall,
Only within a little space to prove
Their love as changing as the tumbling wave
Which breaks in mist that darkly shadows all.

Source: Kevin McCabe, ed. The Poetry of Old Niagara. St. Catharines, Ont. : Blarney Stone Books, 1999.

Also in the anthology Niagara Mornings by Andrew C. Porteus, 2016.

Originally published: Dominion Illustrated, June 22, 1889

Eternal – Beautiful – Serene – Sublime by C. W. Rowland

rowland
Niagara Falls by Andrew Porteus

Eternal — prototype of God!
When first the morning stars did sing,
And the all-glorious sun was placed on high;
How didst thou rear thy awful crest
At His own bidding, and thy thunders spoke
Of the creation born — and ever onward
Through successive ages still is thy impetuous course,
Bespeaking praise to Him, thy great Creator:
Lo, the poor Indian doth bend before thee —
And in thy presence feels that God is nigh!
And the Great Spirit near him to protect:
All recognize in thee — power, greatness — vastness!

Beautiful, most beautiful, whether
In thy murmuring music
Or thy reverberating, echoing thunders,
And thy feathery spray, and rainbows,
Bespeaking hope and faith;
And as thou dashest o’er the ledge,
Behold the gorgeous emerald green,
Woven through with silvery thread —
And then thy milky flood below,
And eddies and o’erhanging rocks,
Call forth the exclamation, “beautiful.”

Serene — thou art and in thy presence
We do feel sweet peace to steal
O’er us, and that the soul all lost
To earth and all around, doth wing
Its thoughts to other scenes,
And we do dwell afar ‘mong those
Long lost and dwellers in a better land.
The mind is lulled to a repose
And we feel
Ready to lean on God and trust in Him.

Sublime — surpassing far all else
Of thy own nature — thou art monarch
Over all and doth feel thy power —
Who shall stop thy way,
Or say unto thy floods, flow not?
Thou wouldst dash aside the net
Woven by vain man to hold thee,
And rend them as the brittle reed.
I have paid my tribute to thee,
And now I will repose — thou hast been
To me a lesson deep and ineffaccable —
And I leave this spot, I trust, a better man.

Philadelphia, August 2, 1847.

Source: Table Rock Album and Sketches of the Falls and Scenery Adjacent. Buffalo: Steam Press of Thomas and Lathrops, copyright by Jewett, Thomas & Co.,1856c.1848

This link takes you to the scanned version of  the 1855 version of Table Rock Album from the Hathi Trust

See the Table of Contents of the Table Rock Album on this site.

Also in the anthology Niagara Mornings by Andrew C. Porteus, 2016.