Niagara Poetry Guild

Are you a poet living in the Niagara area? There is a new group called the Niagara Poetry Guild for poets to get together, critique each other’s poetry, and talk poetry in general. They meet online using Meetup on the second & fourth Mondays of the month. Please feel free to contact them.

Here’s a link to their next meeting   https://www.meetup.com/Niagara-Poetry-Guild/events/272197888/ 

Here’s a link to their Facebook page (you have to ask to be added) https://www.facebook.com/groups/717559958789012/

Niagara by Espy Williams

espy

espy
Sun low in the sky shining through the mist at the brink of the Horseshoe Falls, January 7, 2007. Photo by Andrew Porteus.

Before —— the bright green waters
‡‡In listless madness fly,
Leap shouting smoothly downward
‡‡Mount mistful, white to sky.

Above —— the bright sun shining
‡‡Kisses the dancing spray,
Till smiling it blushes all colors
‡‡And in gladness melts away.

O heart ! with your tireless torrent
‡‡Of doubt, and cataract fears,
Love’s sunshine still kisses to blushes,
‡‡And scatters your mist and tears.

Source: Dow, Charles Mason. Anthology and Bibliography of Niagara Falls. Albany: State of New York, 1921.

First published in Espy Williams. Dream of Art, and Other Poems. New York: Putnam, 1892.

Click here to see the 1961 PhD dissertation by Patricia Kennedy Rickels. The Literary Career of Epsy Williams: New Orleans Poet and Playwright (1852-1908).

Niagara by Arthur John Lockhart

‡‡Will it be a Niagara of wheel-pits and tail-races and factory wastes ?  J. Horace McFarland

lockhart
Arthur John Lockhart. From Canadian Singers and Their Songs

YE VENERABLE WATERS ! that declaim
‡‡Of hoar Antiquity and deeds remote,
‡‡And from the hollow of that thundrous throat
Breath’st thought to put our shallow schemes to shame !
Before the Norsemen or Columbus came
‡‡Westward across th’ untried Atlantic wave ;
Ay, ere the Red Sea saw the guiding Flame
‡‡That led the hosts of Israel, thou didst rave
With thy eternal tongue of fuming waters !
‡‡And shall the mongering hand of heedless men
‡‡With scornful touch thy loveliness disdain ?
Arise ! ye beauty-loving sons and daughters !
‡‡The Sovereign Spirit of this vocal glen
‡‡Shall give you thanks out of his awful fane !

 

Source: Arthur John Lockhart.  The Birds of the Cross, and Other Poems. Winterport, Me.: C.R. Lougee, 1909.

Lockhart also wrote under the name “Pastor Felix”

 

A Monody Made on the Late Mr. Samuel Patch, By an Admirer of the Bathos by Robert Charles Sands

By water shall he die, and take his end. — Shakespeare.

patch
Sam Patch’s Leap. From Peter Porter: Official guide, Niagara Falls, River, Frontier: scenic, botanic, electric, historic, geologic, hydraulic. 1901

Toll for Sam Patch!   Sam Patch, who jumps no more,
‡‡This or the world to come.   Sam Patch is dead!
The vulgar pathway to the unknown shore
‡‡Of dark futurity, he would not tread.
‡‡No friends stood sorrowing round his dying bed;
Nor with decorous wo, sedately stepp’d
‡‡Behind his corpse, and tears by retail shed;—
The mighty river, as it onward swept,
In one great wholesale sob, his body drowned and kept.

Toll for Sam Patch!   he scorned the common way
‡‡That leads to fame, up heights of rough ascent,
And having heard Pope and Longinus say,
‡‡That some great men had risen to falls, he went
‡‡And jumped, where wild Passaic’s waves had rent
The antique rocks; — the air free passage gave,—
‡‡And graciously the liquid element
Upbore him, like some sea-god on its wave;
And all the people said that Sam was very brave.

Fame, the clear spirit that doth to heaven upraise
‡‡Led Sam to dive into what Byron calls
The hell of waters.   For the sake of praise,
‡‡He wooed the bathos down great water-falls;
‡‡The dizzy precipice, which the eye appals
Of travellers for pleasure, Samuel found
‡‡Pleasant, as are to women lighted halls,
Crammed full of fools and fiddles; to the sound
Of the eternal roar, he timed his desperate bound.

Sam was a fool.   But the large world of such,
‡‡Has thousands — better taught, alike absurd,
And less sublime.   Of fame he soon got much,
‡‡Where distant cataracts spout, of him men heard,
‡‡Alas for Sam!   Had he aright preferred
The kindly element, to which he gave
‡‡Himself so fearlessly, we had not heard
That it was now his winding-sheet and grave,
Nor sung, ‘twixt tears and smiles, our requiem for the brave.

He soon got drunk, with rum and with renown,
‡‡As many others in high places do;—
Whose fall is like Sam’s last — for down and down
‡‡By one mad impulse driven, they flounder through
‡‡The gulf that keeps the future from our view,
And then are found not.   May they rest in peace!
‡‡We heave the sigh to human frailty due—
And shall not Sam have his?   The muse shall cease
To keep the heroic roll, which she began in Greece—

patch
Robert C. Sands

With demigods, who went to the Black Sea
‡‡For wool (and if the best accounts be straight,
Came back, in negro phraseology,
‡‡With the same wool each upon his pate),
‡‡In which she chronicled the deathless fate
Of him who jumped into the perilous ditch
‡‡Left by Rome’s street commissioners, in a state
Which made it dangerous, and by jumping which
He made himself renowned, and the contractors rich—

I say, the muse shall quite forget to sound
‡‡The chord whose music is undying, if
She do not strike it when Sam Patch is drowned.
‡‡Leander dived for love.   Leucadia’s cliff
‡‡The Lesbian Sappho leapt from in a miff,
To punish Phaon; Icarus went dead,
‡‡Because the wax did not continue stiff;
And, had he minded what his father said,
He had not given a name unto his watery bed.

And Helle’s case was all an accident,
‡‡As everybody knows.   Why sing of these?
Nor would I rank with Sam that man who went
‡‡Down into Aetna’s womb — Empedocles,
‡‡I think he called himself.   Themselves to please,
Or else unwillingly, they made their springs;
‡‡For glory in the abstract, Sam made his,
To prove to all men, commons, lords, and kings,
That “some things may be done, as well as other things.”

I will not be fatigued, by citing more
‡‡Who jump’d of old, by hazard or design,
Nor plague the weary ghosts of boyish lore,
‡‡Vulcan, Apollo, Phaeton — in fine
‡‡All Tooke’s Pantheon.   Yet they grew divine
By their long tumbles; and if we can match
‡‡Their hierarchy, shall we not entwine
One wreath?   Who ever came “up to the scratch,”
And for so little, jumped so bravely as Sam Patch?

To long conclusions many men have jumped
‡‡In logic, and the safer course they took;
By any other, they would have been stumped,
‡‡Unable to argue, or to quote a book,
‡‡And quite dumb-founded, which they cannot brook;
They break no bones, and suffer no contusion,
‡‡Hiding their woful fall, by hook and crook,
In slang and gibberish, sputtering and confusion;
But that was not the way Sam came to his conclusion.

He jumped in person.   Death or Victory
‡‡Was his device, “and there was no mistake,”
Except his last; and then he did but die,
‡‡A blunder which the wisest men will make.
‡‡Aloft, where mighty floods the mountains break,
To stand, the target of ten thousand eyes,
‡‡And down into the coil and water-quake,
To leap, like Maia’s offspring, from the skies—
For this all vulgar flights he ventured to despise.

And while Niagara prolongs its thunder,
‡‡Though still the rock primaeval disappears,
And nations change their bounds — the theme of wonder
‡‡Shall Sam go down the cataract of long years;
‡‡And if there be sublimity in tears,
Those shall be precious which the adventurer shed
‡‡When his frail star gave way, and waked his fears
Lest, by the ungenerous crowd it might be said,
That he was all a hoax, or that his pluck had fled.

Who would compare the maudlin Alexander,
‡‡Blubbering, because he had no job in hand,
Acting the hypocrite, or else the gander,
‡‡With Sam, whose grief we all can understand?
‡‡His crying was not womanish, nor plann’d
For exhibition; but his heart o’erswelled
‡‡With its own agony, when he the grand
Natural arrangements for a jump beheld,
And measuring the cascade, found not his courage quelled.

His last great failure set the final seal
‡‡Unto the record Time shall never tear,
While bravery has its honour, — while men feel
‡‡The holy natural sympathies which are
‡‡First, last, and mightiest in the bosom. Where
The tortured tides of Genessee descend,
‡‡He came — his only intimate a bear,—
(We know not that he had another friend),
The martyr of renown, his wayward course to end.

The fiend that from the infernal rivers stole
‡‡Hell-draughts for man, too much tormented him,
With nerves unstrung, but steadfast in his soul,
‡‡He stood upon the salient current’s brim;
‡‡His head was giddy, and his sight was dim;
And then he knew this leap would be his last,—
‡‡Saw air, and earth, and water wildly swim,
With eyes of many multitudes, dense and vast,
That stared in mockery; none a look of kindness cast.

Beat down, in the huge amphitheatre
‡‡“I see before me the gladiator lie,”
And tier on tier, the myriads waiting there
‡‡The bow of grace, without one pitying eye—
‡‡He was a slave — a captive hired to die,—
Sam was born free as Caesar; and he might
‡‡The hopeless issue have refused to try;
No! with true leap, but soon with faltering flight,—
“Deep in the roaring gulf, he plunged to endless night.”

But, ere he leapt, he begged of those who made
‡‡Money by his dread venture, that if he
Should perish, such collection should be paid
‡‡As might be picked up from the “company”
‡‡To his Mother. This, his last request, shall be,—
Tho’ she who bore him ne’er his fate should know,—
‡‡An iris, glittering o’er his memory—
When all the streams have worn their barriers low,
And, by the sea drunk up, for ever cease to flow.

On him who chooses to jump down cataracts,
‡‡Why should the sternest moralist be severe?
Judge not the dead by prejudice — but facts,
‡‡Such as in strictest evidence appear.
‡‡Else were the laurels of all ages sere.
Give to the brave, who have pass’d the final goal,—
‡‡The gates that ope not back, — the generous tear;
And let the muse’s clerk upon her scroll,
In coarse, but honest verse, make up the judgment roll.

Therefore it is considered, that Sam Patch
‡‡Shall never be forgot in prose or rhyme;
His name shall be a portion in the batch
‡‡Of the heroic dough, which baking Time
‡‡Kneads for consuming ages — and the chime
Of Fame’s old bells, long as they truly ring,
‡‡Shall tell of him; he dived for the sublime,
And found it. Thou, who with the eagle’s wing
Being a goose, would’st fly, — dream not of such a thing!

Source: Robert Charles Sands. The Writings of Robert C. Sands: In Prose and Verse, Volume 2.  Harper, 1834

Sam Patch jumped from a ladder at the base of Goat Island twice in the fall of 1829, and was killed later that year jumping at the Genessee Falls when he was drunk. Read more about Sam Patch here

Achilles in Time and Space by David Hobberlin

achilles 

achilles
Homer and His Guide (1874) by William-Adolphe Bouguereau


Ilium’s
 sword is overcome by Homer’s spear.
An epic verse that masks and masks again
the players in a drama cast in stone.
They come from out the mind to appear
as Grecian warriors reborn in the flesh;
who caught up in the battlement of war
suffer mortal wounds. Yet, as heroes dare
to gain the spoils that others can but wish.
I do not see the man whom Homer was
for he is too cloaked within the path of time.
The sharpened stylus moving with the rhyme
of atom touching atom only finds the fair Achilles;
not the hand that writes him on the stage,
not the mentor of this student of the page.

September 1995
Source: The author
I am a Canadian poet currently living in Chippawa. Over the years my poems have appeared in a number of anthologies and periodicals beginning with the anthology ‘Canadian Poets of 1969’.

The poem ‘On the Waterfront of Toronto’ earned the Monica Ladell Award 2012 for best poem presented by the Scarborough Arts Society.

I have participated in various poetry readings and venues held in Toronto, Scarborough, Welland, St. Catharines, Niagara-on-the-Lake, and Niagara Falls.

Grey Borders Books published three chapbooks of my poetry – Inanna  (A Tale of Sumer),  Reflections on the Republic, and Going to Work on a Snowy Morning. Click to visit the David Hobberlin page on the Grey Borders Books website
The Indian Heritage Council of Morristown, Tennessee, published a limited edition chapbook ‘The Pipe Maker and Other Poems’ in the millennial year 2000.